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Indian Premier League: Why IPL this year has a healthy mix of legacy and new-age advertisers

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Prerna Lidhoo

Unlike last year, this year’s Indian Premier League (IPL) has a healthy mix of legacy and new age companies as compared to the last year when companies like Byju’s, Zepto, Cars24, etc. ruled the roost. Experts say it’s because of the ongoing funding winter. 

According to the market research platform Unomer, brands like Dream11, Tata Neu, Rupay, Jiomart, CRED, Tiago.ev, AJIO, CEAT, Asian Paints, Airtel 5G, etc.  are some of the most visible brands on IPL this year.  Apart from the usual suspects like FMCG, auto and telecom majors, this year’s tournament saw a drastic cut down from last year when it comes to new-age companies like edtech majors Byju’s and Unacademy, online payments firm PhonePe, subscription service Amazon Prime, healthcare start-up Pristyn Care, quick commerce player Zepto, electric vehicle maker Ather Energy, online social commerce platform Meesho and online used car marketplace Cars24, among other things. 

Brand guru Harish Bijoor acknowledges funding winter to be the reason behind this trend. “There’s a start-up funding winter that’s for sure. Investor is talking about profitability and not about the GMV, eyeballs. etc. IPL seems to have replaced every form of cricket emerging as a product of choice for a brand manager. There are usual advertisers like FMCG, banking, automotive, etc. and who spend as much as eight months of their entire budget on IPL,” Bijoor told BT.

Brand experts, however, believe that a lot of companies prefer digital as a go-to medium for advertising as compared to broadcast. According to the Broadcast Audience Research Council (BARC) data, the number of advertisers on TV had fallen by 42 per cent in the first 29 matches of this season. This year IPL attracted 47 advertisers on TV so far compared to 81 advertisers in the last season. Brands like CRED, PayTm, Swiggy, Acko, Byjus, which, until last year, bet big on TV, have given it a miss this year. Amazon, Samsung, UB, Indeed, TVS, Castrol, Noise, Puma, etc. are Jio-Cinema-exclusive brands this year.

According to Elara Capital, this year’s digital and TV un-bundling is a disruption for monetisation opportunity for IPL. “Brand vertical split has changed this year with Fintech, retail tech, commerce, new age edutech, etc. being there in very small portions because these companies have seen an ad spend cut anywhere in the range of 20-40 per cent. The current spending environment is driven by Jio ecosystem around digital led by FMCG majors, some of the consumer staples companies, large superapps, etc.,” Karan Taurani – Senior Vice President – Research Analyst, Elara Capital said.

He believes that for the advertiser it becomes very difficult to decide on which platform and how much to spend. He adds that Jio Cinema has received a poor customer feedback when it comes to watching experience hence the larger share of consumption will come from Star Sports. “TV is getting a bigger advantage this year. Connected TVs supported by healthy broadband is the future, but TV is here to stay for now,” he added.
 
He says that the number of digital advertising on IPL has been very dismal this year with many internet, e-commerce and new-age companies giving it a miss.

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Another important trend to note this year is narrowcasting instead of broadcasting, brand expert Manish Porwal explains. “Overall, the digital and TV audiences have separated. Because of digital which allows for brands to pick and choose its audience which has allowed variation of different kinds of brands to get in. The ability for a client to place his ad in his required slot has gone up and hence narrowcasting has gone up. IPL every year is becoming slightly better in terms of gender and age ratios, too,” said Porwal, Managing Director, Alchemist Marketing & Talent Solutions. Taurani, too, says that digital is way more accepting of local advertisers, especially niche advertising verticals which are still not that relevant as far as TV is concerned. 

“Traditional verticals are more skewed towards TV. Traditional vertical will have 70 per cent of their advertising coming from TV. But if we look at concurrent viewership, TV is doing better,” he said.

He added that this year ad rates have seen a cut as far as TV is concerned while digital has grown on a low base and because it is free of cost. Last year, ad rates for TV were around Rs 14-15 lakhs for a 10-second slot. “That would have seen a correction by 20 per cent,” he said. In digital, he added CPMs last year were at Rs 250-300 per 1000 impressions.  

“That would have seen a growth of 30-35 per cent this year because if it being on AVOD and completely free,” he explained.

Watch: IPL 2023 Gujarat Titans (GT) vs Delhi Capitals (DC): Key players to watch today, match timings, and more

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Snapchat Explores New Messaging Retention Feature: A Game-Changer or Risky Move?

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Snapchat Explores New Messaging Retention Feature: A Game-Changer or Risky Move?

In a recent announcement, Snapchat revealed a groundbreaking update that challenges its traditional design ethos. The platform is experimenting with an option that allows users to defy the 24-hour auto-delete rule, a feature synonymous with Snapchat’s ephemeral messaging model.

The proposed change aims to introduce a “Never delete” option in messaging retention settings, aligning Snapchat more closely with conventional messaging apps. While this move may blur Snapchat’s distinctive selling point, Snap appears convinced of its necessity.

According to Snap, the decision stems from user feedback and a commitment to innovation based on user needs. The company aims to provide greater flexibility and control over conversations, catering to the preferences of its community.

Currently undergoing trials in select markets, the new feature empowers users to adjust retention settings on a conversation-by-conversation basis. Flexibility remains paramount, with participants able to modify settings within chats and receive in-chat notifications to ensure transparency.

Snapchat underscores that the default auto-delete feature will persist, reinforcing its design philosophy centered on ephemerality. However, with the app gaining traction as a primary messaging platform, the option offers users a means to preserve longer chat histories.

The update marks a pivotal moment for Snapchat, renowned for its disappearing message premise, especially popular among younger demographics. Retaining this focus has been pivotal to Snapchat’s identity, but the shift suggests a broader strategy aimed at diversifying its user base.

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This strategy may appeal particularly to older demographics, potentially extending Snapchat’s relevance as users age. By emulating features of conventional messaging platforms, Snapchat seeks to enhance its appeal and broaden its reach.

Yet, the introduction of message retention poses questions about Snapchat’s uniqueness. While addressing user demands, the risk of diluting Snapchat’s distinctiveness looms large.

As Snapchat ventures into uncharted territory, the outcome of this experiment remains uncertain. Will message retention propel Snapchat to new heights, or will it compromise the platform’s uniqueness?

Only time will tell.

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Catering to specific audience boosts your business, says accountant turned coach

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Catering to specific audience boosts your business, says accountant turned coach

While it is tempting to try to appeal to a broad audience, the founder of alcohol-free coaching service Just the Tonic, Sandra Parker, believes the best thing you can do for your business is focus on your niche. Here’s how she did just that.

When running a business, reaching out to as many clients as possible can be tempting. But it also risks making your marketing “too generic,” warns Sandra Parker, the founder of Just The Tonic Coaching.

“From the very start of my business, I knew exactly who I could help and who I couldn’t,” Parker told My Biggest Lessons.

Parker struggled with alcohol dependence as a young professional. Today, her business targets high-achieving individuals who face challenges similar to those she had early in her career.

“I understand their frustrations, I understand their fears, and I understand their coping mechanisms and the stories they’re telling themselves,” Parker said. “Because of that, I’m able to market very effectively, to speak in a language that they understand, and am able to reach them.” 

“I believe that it’s really important that you know exactly who your customer or your client is, and you target them, and you resist the temptation to make your marketing too generic to try and reach everyone,” she explained.

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“If you speak specifically to your target clients, you will reach them, and I believe that’s the way that you’re going to be more successful.

Watch the video for more of Sandra Parker’s biggest lessons.

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Instagram Tests Live-Stream Games to Enhance Engagement

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Instagram Tests Live-Stream Games to Enhance Engagement

Instagram’s testing out some new options to help spice up your live-streams in the app, with some live broadcasters now able to select a game that they can play with viewers in-stream.

As you can see in these example screens, posted by Ahmed Ghanem, some creators now have the option to play either “This or That”, a question and answer prompt that you can share with your viewers, or “Trivia”, to generate more engagement within your IG live-streams.

That could be a simple way to spark more conversation and interaction, which could then lead into further engagement opportunities from your live audience.

Meta’s been exploring more ways to make live-streaming a bigger consideration for IG creators, with a view to live-streams potentially catching on with more users.

That includes the gradual expansion of its “Stars” live-stream donation program, giving more creators in more regions a means to accept donations from live-stream viewers, while back in December, Instagram also added some new options to make it easier to go live using third-party tools via desktop PCs.

Live streaming has been a major shift in China, where shopping live-streams, in particular, have led to massive opportunities for streaming platforms. They haven’t caught on in the same way in Western regions, but as TikTok and YouTube look to push live-stream adoption, there is still a chance that they will become a much bigger element in future.

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Which is why IG is also trying to stay in touch, and add more ways for its creators to engage via streams. Live-stream games is another element within this, which could make this a better community-building, and potentially sales-driving option.

We’ve asked Instagram for more information on this test, and we’ll update this post if/when we hear back.

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