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Snapchat stiger till 319 miljoner dagliga användare, ger ett starkt intäktsresultat för fjärde kvartalet


Snapchat Rises to 319 Million Daily Users, Posts Strong Revenue Result for Q4


Snapchat added more users, while it also posted a strong revenue result for Q4, as it continues to establish its role as a key connective platform for younger audiences, in alternative to the larger social media players.

First off, on users – Snap added 13 million more daily active users in Q4, taking it up to 319 million overall.

As you can see from this chart, Snap’s overall audience has increased by 20% year-over-year, while it saw its most significant growth in the ‘Rest of the World’ segment, which rose by 10 million users.

Snapchat’s seen particularly good growth in India, as connectivity continues to evolve in the region, which could end up being a big winner for the app.

As a reminder, TikTok had over 200 million Indian users before it was banned in June 2020 due to an ongoing border dispute. Maybe now, Snap is taking up that mantle, and with its own, TikTok-like ‘Spotlight’ feature also gaining traction, that could see its audience continue to rise in the region, helping to boost its overall audience figures.

Indeed, Snapchat also reports that the number of Spotlight viewers going on to subscribe to a Creator more than doubled quarter-over-quarter, a positive sign for the function, while it’s also served as a key tool for promoting Snap’s AR functionality, with over 65% of Spotlight submissions now utilizing one of Snapchat’s AR Lenses or other creative tools.

In this sense, Spotlight is not only working as a TikTok alternative within the app, but also as a means to promote Snap’s broader offerings, which is a big plus in helping to further solidify in-app engagement.


On the revenue front, Snapchat brought in $1.3 billion in revenue in Q4, rising 42% year-over-year.

Snapchat Q4 2021

There are positive signs all round here – and while its revenue per user numbers in the ‘Rest of the World’ category only jumped slightly over the previous Q4 numbers, Snap’s still increasing its revenue intake, in line with user growth.

Snapchat Q4 2021

These are strong signals for Snap’s ongoing business evolution, and its opportunities in new regions. Again, ideally, you would want to see Snap’s ‘Rest of the World’ ARPU up higher than this, but as it continues to add more users, the fact that such growth is not diluting its numbers reflects rising advertiser interest.

Which is also the focus of this chart, which Snap has additionally included as a reflection of its growing potential.

Snapchat Q4 2021

That’s a good summary of Snap’s evolving business focus. Once criticized for not focusing on business opportunities, and even dismissing potential growth in certain markets due to perceived lack of value, Snapchat has now matured a lot, and its structure and systems are more clearly aligned around building a sustainable business model, which offers opportunity both for user engagement and reklam- reach.

A key element of this has been the development of its original Discover content, short-form, TV-like programming that aligns with the viewing habits of younger audiences. With younger viewers less inclined to sit through an entire 30 minute TV show – because they’ve grown up in a world where they can easily flip between inputs as soon as they lose interest –Discover content reflects a paradigm shift in traditional TV consumption, which has significant appeal to Snap’s audience.

Som förklarat av Snap CEO Evan Spiegel:

“In Q4 2021, 25 different Discover partners each reached over 50 million unique Snapchatters globally. This captures a wide range of genres, from Universal Music’s Rebel Labs, to social publisher Jungle Creations’ livsstil content, Team Whistle’s sports content, and Creator-driven Shows from Jellysmack. We are also introducing more locally relevant partners worldwide. We added more than 160 new channels in the quarter from Discover partners outside of the U.S. and onboarded new partners including Seven.One Entertainment Group in Germany and Canal+ in France.”

Just recently, Snap also meddelat new content partnerships with Disney, Viacom and NBCUniversal, reflecting ongoing publisher interest in Discover as a means to connect with younger audiences.

Thus far, that appears to be generating strong results, and if Snap can continue to lean into this behaviour, and cater to audience demand and interest, this will remain an important growth avenue for the app.

AR is also a key element of the broader Snap experience, with Snap noting that over 200 million users now engage with AR on Snapchat every day. Snap also reports that users ‘play’ with AR Lenses more than 6 billion times per day, and with the company also developing AR-enabled Spectacles, as the next stage of digital connection, Snap looks set to remain at the forefront of the AR shift moving forward, even as other companies look to muscle in.

Snap AR spectacles

Spiegel specifically notes that Snap ‘made significant progress’ with its Spectacles AR glasses in Q4, as it continues to push for a consumer release. I mean, they still look a little sci-fi for my liking (which is why Meta partnered with Ray Ban for its first-run at connected glasses), but a lot could change ahead of the product launch, and with its established production and distribution channels already in place, Snap does look set to be a key player in this race, even up against the virtually endless resources of Apple and Meta, which are also working to bring them to market.

Snap’s big hope on this front lies in partnering with AR creators from the beginning, with a range of experts around the world already developing new experiences for Snap’s AR Spectacles.

“Hundreds of Creators from 30 countries have now developed AR Lenses for Spectacles, overlaying computing on the world in an immersive and interactive way. We have continued to make software improvements and offer new capabilities for developers, including Connected Lenses, which link multiple Spectacles users to participate in the same AR experience together, and Location Triggers, which lets Creators customize Lenses to adapt as they visit specific locations.”

Maybe, be democratizing creation in this way, as opposed to keeping things in-house, Snap will be better placed to include more innovative, responsive AR features at launch, which could give it a leg up on the competition.

And while neither Snap nor Apple have mentioned it, I wouldn’t be surprised to see the two team up to take on Meta with a collaborative AR glasses project.

On another front, Snap’s infrastructure costs remain relatively high, as a percentage of its cost of revenue, due to its reliance on third-party cloud infrastructure, something that’s been problematic for the company in the past. That puts more pressure on Snap to bring in more ad dollars to offset rising costs related to increased usage.

And interestingly, Snap’s also noted a key shift in user behavior, in relation to how users are communicating in the app.

“In Q4 2021, the number of content viewers on Snapchat continued to grow at a significantly faster rate year-over-year than overall time spent watching content, as a decline in time spent watching Stories created by friends was offset by growth in time spent watching premium content in Discover as well as content in Spotlight. This is a continuation of the trend we have observed throughout the pandemic, and friend story posting and viewing per Daily Active User have not returned to pre-pandemic levels.”

More people watching content, but spending less time doing so, while viewing content created by friends is also falling. That could reflect the relative growth of short-form video content, but the reduced engagement among friends is something to keep tabs on moving forward, especially given Snap’s focus on more intimate connection.


Overall, it’s a good report card for Snap, with the numbers showing steady growth in key areas, and reflecting its focus on the right elements for its community. And if it can become a key connective platform in more emerging markets, Snap’s opportunities will continue to grow, facilitating more forms of connection in user communities.




Iransk popsångare tystnade, men hans låt förblir en protestsång


Shervin Hajipour's song "Baraye" draws on the tweets of Iranians longing for a normal life

Shervin Hajipours låt "Baraye" bygger på tweets från iranier som längtar efter ett normalt liv – Copyright Indo-Tibetan Border Police (ITBP)/AFP –

David Vujanovic

Även om han har tystats förblir den iranska popsångaren Shirvin Hajipours passionerade sång till stöd för protester mot Mahsa Aminis död i häktet en inofficiell hymn för rörelsen.

Låten "Baraye" fick upp 40 miljoner visningar på Instagram innan den raderades när Hajipour greps, men han har sedan dess släppts mot borgen och har tagit avstånd från politiken, troligen som ett villkor för att han ska släppas.

Baraye, det persiska ordet "För" eller "Because", är sammansatt av tweets om protesterna och belyser längtan människor har efter saker som saknas i sanktionsdrabbade Iran, där många klagar över svårigheter orsakade av ekonomisk misskötsel.

Den bygger också på vardagliga aktiviteter som har fått människor i problem med myndigheterna i den islamiska republiken.

”För dansens skull på gatorna; På grund av rädslan som kändes när man kysser; För min syster, din syster, dina systrar”, står det i låtens text.


”På grund av pinsamheten med en tom ficka; För att vi längtar efter ett normalt liv... På grund av denna förorenade luft."

Baraye har hörts spelas högt på natten från flerfamiljshus i Iran för att visa stöd för protester som utlöstes av Aminis död den 16 september, efter att den ökända moralpolisen grep henne för att ha brutit mot regler som krävde kvinnor att bära hijabhuvuddukar och blygsamma kläder.

Den sjöngs också med bravur av den iranska diasporan vid demonstrationer i mer än 150 städer runt om i världen under helgen.

I ett klipp som delas av New York-baserade Center for Human Rights i Iran, ses en grupp skolflickor utan huvudduk sjunga Baraye i klassen med ryggen mot kameran.

Låten togs bort från Hajipours Instagram-konto kort efter hans gripande men är fortfarande allmänt tillgänglig på andra sociala medieplattformar, bl.a. Twitter och YouTube.

– 'På grund av påtvingade Instagram-berättelser' –

Hajipours advokat Majid Kaveh sa att han släpptes mot borgen vid lunchtid på tisdagen.

Den reformistiska Shargh-tidningen sa att hans familj hade informerats om hans arrestering i den norra staden Sari på lördagen, i en rapport som citerade hans syster Kamand Hajipour.


Hon hade sagt i ett inlägg på Instagram att hennes föräldrar hade blivit informerade om hans gripande i ett samtal från stadens underrättelsetjänst.

Kort efter frigivningen var Hajipour tillbaka på Instagram, men denna gång för att be om ursäkt och ta avstånd från politiken.

"Jag är här för att säga att jag är okej," sa han till sina 1,9 miljoner följare på plattformen.

"Men jag är ledsen att vissa speciella rörelser baserade utanför Iran - som jag inte har haft några relationer med - gjorde en otillbörlig politisk användning av den här låten.

"Jag skulle inte byta ut detta (land) mot någon annanstans och jag kommer att stanna för mitt hemland, min flagga, mitt folk, och jag kommer att sjunga.

"Jag vill inte vara en leksak för dem som inte tänker på mig, dig eller det här landet," tillade han.

Som svar på hans inlägg, många på Twitter föreslog att raden "På grund av påtvingade Instagram-berättelser" skulle läggas till i låtens text.

Människorättsgrupper inklusive artikel 19 har upprepade gånger uppmanat Iran att sluta använda påtvingade erkännanden, som de säger är falska och utvinns under tvång eller till och med tortyr.


I ett fall nyligen försvann en ung iransk kvinna, Sepideh Rashno, efter att ha blivit inblandad i en tvist på en Teheran-buss med en annan kvinna som anklagade henne för att ha tagit av sig huvudduken.

Hon hölls av den mäktiga islamiska revolutionsgardet och dök upp på tv i vad aktivister sa var en påtvingad bekännelse innan hon släpptes mot borgen i slutet av augusti.


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