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Social Platforms Could Face Legal Action for Addictive Algorithms Under Proposed California Law



Social Platforms Could Face Legal Action for Addictive Algorithms Under Proposed California Law

In what could be a significant step towards protecting children from potential harms online, the California legislature is currently debating an amended bill that would enable parents, as well as the state Attorney General, to sue social platforms for algorithms and systems that addict children to their apps.

As reported by The Wall Street Journal:

Social-media companies such as Facebook parent Meta Platforms could be sued by government attorneys in California for features that allegedly harm children through addiction under a first-in-the-nation bill that faces an important vote in the state Senate here Tuesday. The measure would permit the state attorney general, local district attorneys and the city attorneys of California’s four largest cities to sue social-media companies including Meta – which also owns Instagram – as well as TikTok, and Snapchat, under the state’s law governing unfair business practices.

If passed, that could add a range of new complications for social media platforms operating within the state, and could restrict the way that algorithmic amplification is applied for users under a certain age.

The ‘Social Media Platform Duty to Children Act’ was initially proposed early last month, but has since been amended to improve its chances of securing passage through the legislative process. The bill includes a range of ‘safe harbor’ clauses that would exempt social media companies from liability if said company makes changes to remove addictive features of their platform within a specified time frame.

What, exactly, those ‘addictive’ features are isn’t specified, but the bill essentially takes aims at social platform algorithms, which are focused on keeping users active in each app for as long as possible, by responding to each person’s individual usage behaviors and hooking them in through the presentation of more of what they react to in their ever-refreshing content feeds.

Which, of course, can have negative impacts. As we’ve repeatedly seen play out through social media engagement, the problem with algorithmic amplification is that it’s based on a binary process, which makes no judgment about the actual content of the material it seeks to amplify. The system simply responds to what gets people to click and comment – and what gets people to click and comment more than anything else? Emotionally charged content, posts that take a divisive, partisan viewpoint, with updates that spark anger and laughter being among the most likely to trigger the strongest response.

That’s part of the reason for increased societal division overall, because online systems are built to maximize engagement, which essentially incentivizes more divisive takes and stances in order to maximize shares and reach.

Which is a major concern of algorithmic amplification, while another, as noted in this bill, is that social platforms are getting increasingly good at understanding what will keep you scrolling, with TikTok’s ‘For You’ feed, in particular, almost perfecting the art of drawing users in, and keeping them in the app for hours at a time.

Indeed, TikTok’s own data shows that users spend around 90 minutes per day in the app, on average, with younger users being particularly compelled by its never-ending stream of short clips. That’s great for TikTok, and underlines its nous in building systems that align with user interests. But the question essentially being posed by this bill is ‘is this actually good for youngsters online?’

Already, some nations have sought to implement curbs on young people’s internet usage behaviors, with China implementing restrictions on gaming and live-streaming, including the recent introduction of a ban on people under the age of 16 from watching live-streams after 10pm.

The Italian Parliament has implemented laws to better protect minors from cyberbullying, while evolving EU privacy regulations have seen the implementation of a range of new protections for young people, and the use of their data online, which has changed the way that digital platforms operate.

Even in the US, a bill proposed in Minnesota earlier this year would have banned the use of algorithms entirely in recommending content to anyone under age 18. 

And given the range of investigations which show how social platform usage can be harmful for young users, it makes sense for more legislators to seek more regulatory action on such – though the actual, technical complexities of such may be difficult to litigate, in terms of proving definitive connection between algorithmic amplification and addiction.

But it’s an important step, which would undoubtedly make the platforms re-consider their systems in this regard, and could lead to better outcomes for all users.

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New Report Shows That Young Users are Increasingly Turning to TikTok for News Content



New Report Shows That Young Users are Increasingly Turning to TikTok for News Content

Amid ongoing concerns about its data gathering processes, and its possible linkage to the Chinese Government, TikTok’s influence continues to grow, with the platform now a key source of entertainment for many of its billion active users.

And it’s not just entertainment, TikTok is also increasingly being used for search, with Google reporting earlier this year that, by its estimates, around 40% of young people now turn to TikTok or Instagram to search for, say, restaurant recommendations, as opposed to Google Search or Maps.

And now, TikTok is also becoming a source of news and information, as more news organizations look to lean into the platform, and establish connection with the next generation of consumers.

That’s the focus of the latest report from the Reuters Institute, which looks at how people are using TikTok for news content, and which sources are playing a role in shaping their opinions in the app.

You can download the full, 38-page report here, and it’s well worth a read, but there are two specific elements that are worth highlighting to help better understand and contextualize the TikTok shift.

First off, there’s this chart, which looks at the percentage of people who are using TikTok for news content in each age bracket.

As you can see, younger users are increasingly turning to TikTok to stay informed of the latest news updates. Which is a significant shift, and not just for news publishers looking to connect with their audience, but also in terms of broader impacts, and how young audiences are staying in touch with the latest happenings.

Which then leads into this second chart:

Reuters social media news report

As you can see, it’s not mainstream news sources that are the primary sources of news content on TikTok, its ‘internet personalities’ followed by ‘ordinary people’, with traditional journalists and publications much further back.

That’s a significant trend, which could reflect a broader distrust of mainstream media outlets, and the information presented in the news as we know it.

Now, younger audiences are more reliant on their favorite influencers to act as a filter, of sorts, to help highlight the news of most relevance – which could be good, in that it facilitates a new angle on the big stories each day. But it could be bad, in that the news they present and discuss is then based on the personal bias of each influencer, which is arguably a less transparent process than mainstream news outlets.

But that also depends on your perspective. Journalists, for the most part, work to uphold standards of integrity in their reporting, in order to limit the influence of personal bias, and present the key information within their updates. But increasingly, many news outlets have leaned into more controversial takes and opinions. Because that’s what works best with social media algorithms – you’re going to generate much more engagement, and thus, reach, with a headline that says something like ‘The President hates farmers’ as opposed to a more balanced report on the latest agricultural policy.

Many outlets have essentially weaponized this, and seem to employ partisan takes as a key element in their coverage, again, in order to maximize reader response, to get people commenting and sharing, and prompt more clicks.

Which definitely works, but it’s this approach that’s likely turned many younger consumers away from mainstream coverage, while the rising use of TikTok overall means that, one way or another, they’re going to get at least some news content there anyway.

Which could be a concern. Again, amid ongoing questions about the influence of the Chinese Government on the app, it seems like it should be a significant consideration that more and more young people are leaning on the app to stay informed about the latest news topics.

The report also looks at how news publishers are using TikTok, and what specific approaches are driving the most success.

Their conclusion:

“There’s no single recipe for success. Many publishers use a strategy based on hiring young creators who are native to the platform and its vernacular. This approach has connected strongly with audiences and brought critical acclaim but can make it harder to re-version content for other social platforms. Others have focused on showcasing the assets of the entire newsroom, including more experienced correspondents and anchors, delivering greater scale and flexibility but often without the same personal touch.

So using platform-native influencers, and those more savvy with TikTok-specific trends, can help to increase engagement and performance. But there’s no definitive TikTok playbook, as such, that will lead to guaranteed, sustained success.

Which, in some ways, is because that’s not how TikTok is built. Unlike other social media apps, TikTok isn’t designed to get you to follow the people and companies that you like, in order to essentially curate your own experience.

On TikTok, the aim is to show you the most entertaining content, from anyone, in alignment with your personal interests, which you express by simply using the app. By expanding the pool of potential content to everybody, that gives TikTok’s algorithms a lot more ways to keep you glued to your feed – but the flipside is that it also makes it much harder for creators and brands to establish a following, and keep their audience coming back, as they can on other apps.

That puts more focus onto each post itself, and how entertaining your latest update is. Which is better for TikTok’s ecosystem in general, but it also means that there are more challenges in maintaining reach and resonance in the app.

That’s true for news organizations, but it’s also true for brands, because you can’t just get people to follow your brand in the app and hope that they’ll then see everything that you post.

On TikTok, it’s a new competition, every day, and if you’re not entertaining, and holding engagement with each update, you’re going to lose, on that day at least.

You can download the full Reuters Institute ‘How Publishers are Learning to Create and Distribute News on TikTok’ report here.

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