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Bereaved UK father criticises social media firms’ response to tragedy

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Bereaved UK father criticises social media firms' response to tragedy

Misinformation can spread rapidly on social media under the guise of satire and parody, creating challenges for platforms and fact-checkers. — © AFP

The father of a teenage girl who died in Britain after viewing harmful online content on Monday criticised the response of social media companies to a report aimed at preventing future tragedies.

Londoner Ian Russell, the father of 14-year-old Molly, described their reaction as  “underwhelming and unsurprising”, demonstrating “business as usual” approach.

Regulation, such as the British government’s proposed Online Safety Bill, was the only way to end the “inertia” shown by social media sites towards safety, he added.

The inquest into her death heard that of the 16,300 posts Molly saved, shared or liked on Instagram in the six-month period before her death, 2,100 related to depression, self-harm or suicide.

Coroner Andrew Walker, who led the inquest, subsequently wrote to Meta, Pinterest, Twitter and Snapchat in September last year.

In a “prevention of future deaths” report sent to the social media firms and the UK government, Walker urged a review of the algorithms used by the sites to provide content.

Russell expressed disappointment at their feedback and the fact that Instagram’s parent company Meta had not shown any “significant change in direction”.

“One perhaps would have hoped that looking at the level of detail that was presented to the coroner…,” he told the PA news agency.

“It would have focused minds and compelled tech platforms to react more positively to put safety higher up their agenda,” he added.

“But that doesn’t seem to be the case, particularly in Meta’s case.”

– Tougher action –

In his inquest into Molly Russell’s death, Walker ruled that she had died from an act of self-harm while suffering from the “negative effects of online content”.

It would not be “safe” to conclude it was suicide, he said.

Her death in November 2017 led her family to set up a campaign highlighting the dangers of social media.

The Online Safety Bill is due to be debated by MPs on Tuesday.

In its current form, it would require tech companies to remove illegal material from their platforms, with a particular emphasis on protecting children from seeing harmful content. It would also heavy fines for sites that break the rules.

Dozens of MPs with the ruling Conservatives however have put their name to an amendment demanding tougher action.

The rebels MPs want the owners of social media platforms to face jail time if they fail to protect children from seeing damaging content.

After the inquest into his daughter’s death, Russell said it was “time the toxic corporate culture at the heart of the world’s biggest social media platform changed.

A senior Meta executive had said the content that the platform’s algorithms had pushed to his daughter was safe, said Russell.

“If this demented trail of life-sucking content was safe, my daughter Molly would probably still be alive — and instead of being a bereaved family of four, there would be five of us looking forward to a life full of purpose and promise that lay ahead for our adorable Molly,” he added.

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TikTok Encourages Creators To Make Longer Videos, With Focus On Ad Revenue 11/30/2023

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TikTok Encourages Creators To Make Longer Videos, With Focus On Ad Revenue 11/30/2023

With a need to expand its advertising business, TikTok is now fully focused on the output of long-form videos.

A new report by The Information shows the company’s recent efforts to convince
creators to put out longer videos in order to provide more room for ad placements.

According to the …



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X Adds Option To Embed Videos in Isolation From Posts

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X Adds Option To Embed Videos in Isolation From Posts

Next time you go to embed an X post, you may notice a new step:

Now, X will enable you to choose whether you want to embed the video element in isolation, or the whole post, as normal.

And if you do choose to embed just the video (or GIF), it’ll look like this:

Which could be a helpful way to present X-originated video on third-party websites, and add context to, say, your blog post, without the clutter of the full X framing.

But it could also reduce brand exposure for X, which is likely why Twitter didn’t enable this before, though it did once provide an “embedded video widget” which essentially served the same purpose.

X embeds

Twitter gradually seemed to phase that out as the platform evolved, and there’s no specific reason that I can find as to why it removed it as an option. But either way, now, it’s back, so you have more options for using X-originated content, and putting more focus on video elements specifically.

Though I don’t know why they didn’t also take the opportunity to remove the ‘Tweet’ reference. Since the re-brand to X, the platform seems to have gone to little effort to weed out all the tweet and bird terminology, but then again, with 80% fewer staff, that’s probably understandable as well.



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TikTok stars are using Fanova to generate income from social media

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TikTok stars are using Fanova to generate income from social media

Image courtesy of Fanova

Opinions expressed by Digital Journal contributors are their own.

In recent years, Latin American influencers and content creators have witnessed a remarkable surge in popularity. Despite boasting substantial and highly engaged fan bases, these influencers often find themselves in the shadows, overlooked for lucrative brand deals and partnerships. This oversight is especially pronounced, given their substantial influence over a diverse, global audience.

The moment is ripe for these creators to carve out a dedicated space where they can effectively monetize their exceptional talents. Such a platform would empower Latin American influencers and create fresh opportunities for profound collaborations and enhanced engagement with audiences worldwide.

This is where Fanova comes into play, revolutionizing the Latin American creator economy. In an environment where the creator market is still in its nascent stage, and many talented individuals remain underserved, Fanova is pioneering a new era for creators to make real money doing what they love.

Latin America’s creative minds have often found their potential hindered by a lack of opportunities. Fanova is here to break the barriers and provide a platform that allows them to monetize their content and recognize the value of their unique talents. The creator economy in the region is brimming with untapped potential, and Fanova seeks to unleash it. Creators with massive, loyal followings often find themselves unable to monetize their social media presence effectively or are overlooked by brand deals. Fanova aims to change that narrative.

With Fanova, creators have the freedom to set their monthly subscription prices, giving them the ability to provide exclusive content to their most devoted fans while ensuring a steady, reliable income month after month. Additionally, they have the flexibility to establish their own pricing for direct messages, creating a direct avenue for intimate one-on-one interactions with their followers.

By using Fanova, creators can deepen their connection with their audience by sharing a wide range of captivating content, such as behind-the-scenes glimpses, travel adventures, workout routines, insightful blogs, engaging podcasts, exclusive photos, and much more. It’s a dynamic platform that enables creators to monetize their craft and foster a stronger, more personal bond with their fan base.

Fanova is attracting top talent in the Latin American creator economy. Melissa Andress recently joined the platform. Renowned as @melissaandress on Instagram and @melipandaa on TikTok, Melissa boasts a significant and dedicated following of 1.6M and 13.7M followers, respectively. She uses Fanova to share daily behind-the-scenes of her life with her followers, treating it like a private story.

“I was immediately interested in the general concept of this platform: having a place to document behind-the-scenes content and not relying solely on brand deals seemed great to me,” Melissa explained.

Her impressive online presence has contributed to Fanova’s success in a significant way. Her engagement and credibility have introduced countless new creators and users to the platform.

Fanova is already leaving its mark in the Latin American creator economy, having attracted 150 creators. Even more impressive, Fanova has paid out over $100,000 to these creators. This is not just a promise; it’s a proven reality.

Fanova is a clean subscription platform, so nudity and explicit content is not permitted. The platform employs a team of moderators as well as artificial intelligence to monitor content.

For creators in Latin America, Fanova represents a new beginning. It’s an opportunity to be part of a transformative journey where your passion can be your paycheck. It’s a place where talent meets technology, and creators are valued. The new application is leading the charge to monetize content in Latin America, one passion at a time. For more information, visit www.fanova.io.



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