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How To Avoid Common Slip-ups With Your B2B Social Ad Creative

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How To Avoid Common Slip-ups With Your B2B Social Ad Creative

Content marketers spend a lot of time developing content. But when it’s time to promote that carefully created content in social ads, they don’t have the same flourish.

Relatively recent research shows B2B ad creative often misses the mark regarding quality and impact. The B2B Institute, a LinkedIn think tank, says although marketers carefully measure ad media spend, optimizing ad creative doesn’t feature anywhere near as heavily in our psyches. It’s often neglected, as indicated in this graphic revealing 75% of B2B ads are rated one star or less.

A line chart showing 75% of consumers give B2B social ads a one-star rating.

75% of B2B social ads earn a one-star rating from consumers.

While these low ratings might seem like worrying news for B2B marketers, it actually presents an immediate opportunity to reassess and improve your social ad creative to promote and get your content consumed.

As a social strategist, I regularly witness common mistakes in social advertising, and they’re made by even the biggest of brands. Among them:

  • Weak, poor quality, or common visuals
  • Conflict between ad content and format
  • Unclear, hard-to-digest messaging that doesn’t resonate with the target audience
  • Lack of continuity among ad components

By preventing these potential problems, you’ll better position your digital ad to be seen and recognized to be relevant by your target audience, so it earns the desired click. Here are four tips on how to do just that.

1. Create thumb-stopping visuals

Develop strong, engaging visuals that entice viewers to pause a moment. It’s widely accepted that people scan ads. Over the years, eye-tracking studies have identified common patterns of digital reading and social media platforms have shared what they’ve found, too.

Create visuals that get viewers to pause their thumbs when they come to your ad, says @Fi_digitaldrum via @CMIContent. Click To Tweet

In the image below, I explain how readers would usually consume this digital ad from Hootsuite. First, the compelling visual with the prominent words “30 Day Trial” will be seen. Then, the eye will go to the bold statement below the image, Start Your Free Trial Today,” followed by the line below it in a smaller font size, “Trusted by 18 million users worldwide.” Lastly, their eyes will go to the line above the image that reads: “Try Hootsuite for 30 days and start managing your social from one simple dashboard.”

1654685501 530 How To Avoid Common Slip ups With Your B2B Social Ad

Without that strong central image, Hootsuite wouldn’t have attracted viewers to give it more than their split-second attention.

Software company Asana consistently makes an impact with its social ads. With a low-key color palette, modest-looking fonts, and a smart style, their ad creative makes a bold impression on newsfeeds to encourage viewers to stop the scroll. Asana often uses statistic-based visuals to pique interest and connect with the target user as they did in the second ad below.

The graphic in the first ad includes the cover of the e-book they’re promoting with the words, The Ultimate Guide to OKRs, prominently displayed.

The graphic in the first Asana ad includes the cover of the e-book they’re promoting with the words, The Ultimate Guide to OKRs, prominently displayed.

The second ad is a pie chart showing a 24% slice with the accompanying text to explain 24% of employees in Australia experienced burnout four or more times in the last year.

The second Asana ad is a pie chart showing a 24% slice with the accompanying text to explain 24% of employees in Australia experienced burnout four or more times in the last year.

Sometimes visuals can have a big impact by looking just different enough to stand out. Take media publication The Economist. They commonly use graphic design to create thumb-stopping moments for users.

In the first sponsored content ad to promote an article on the backlash of gender ideology at universities, the art contains a globe-type circle with two women in graduation caps who have brightly colored lines to symbolize talking. One of the women is upside down.

Economist ad showing a globe-type circle with two women in graduation caps who have brightly colored lines to symbolize talking. One of the women is upside down.

In the second promoted content ad, a colorfully illustrated chicken is flexing their bicep to promote an article about how chicken became the rich world’s most popular meat.

Economist ad showing a colorfully illustrated chicken is flexing their bicep to promote an article about how chicken became the rich world’s most popular meat.

These images create intrigue because they don’t tell the full story and they lack words to explain them. They’re also different in style compared to typical ads on LinkedIn.

Use intriguing images that pique interest and differ in style to attract ad clicks, says @Fi_digitaldrum via @CMIContent. Click To Tweet

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2. Choose the right ad format for your content

Why string out a straightforward message about your promoted content over eight carousel cards when a two-card carousel or a single image ad will do?

Assess how your promotion fits into the available formats each time you kick off a new paid social campaign. Some content will work well as a video or a sponsored poll, but some things won’t.

In this example, LinkedIn Sales Solutions perfectly demonstrates that carousel-promoted content doesn’t need to include many cards. In this case, three does the job just fine – the first asks a question, “How have UK sales professionals and their buyers changed their behavior since the pandemic?” The second card gives an answer, “For one, 45% of UK buyers now want to make purchase decisions remotely.”

LinkedIn Sales Solutions ad asks a question, “How have UK sales professionals and their buyers changed their behavior since the pandemic?” The second ad The second ad gives an answer, “For one, 45% of UK buyers now want to make purchase decisions remotely.”

The third and final card promotes the content offer: “Discover more trends in the State of Sales 2021 Report, UK edition.”

The third and final ad promotes the content offer: “Discover more trends in the State of Sales 2021 Report, UK edition.”

That formula can work well for many content product ads: Identify the audience’s challenge (understanding buyer behavior after the pandemic), include one answer (make purchase decisions remotely), then offer the content solution (e-book on the state of sales).

3. Write copy that resonates, entices, and nails the point

I really like the recent social ads from GWI, a market research firm. They’ve managed to use minimal copy to promote the insightful content they have up for grabs.

The first is an ad for its report on social media trends in 2022. On the prominently displayed image, the text poses a question: “What on earth is the metaverse?” The line of text above it is one stat from the report and a call to action: “53% of social users are baffled by the metaverse. If you’re one of them, get the lowdown in our 2022 trends report.”

GWI ad showing a Black man next to a question: “What on earth is the metaverse?” The line of text above it is one stat from the report and a call to action: “53% of social users are baffled by the metaverse. If you’re one of them, get the lowdown in our 2022 trends report.”

The second ad, “Thanks, I got it on Instagram,” includes a simple question before the CTA: “How has social commerce changed in 2022? See what makes shoppers tick in our flagship trends report.”

GWI ad with an arm holding a purple shirt on a hanger coming out of a smartphone with the copy “Thanks, I got it on Instagram,” includes a simple question before the CTA: “How has social commerce changed in 2022? See what makes shoppers tick in our flagship trends report.”

4. Ensure synergy among the creative components

Yes, users typically scan social ads, making the dominant image, video, or other visual the central element. But, that doesn’t mean that the other elements need any less attention.

After all, even with all the credible research and eye-tracking studies out there, we still can’t be 100% sure about how users are going to process the social ads served to them. It’s therefore important to consider how the ad hangs together as a whole.

I’ve seen many social ads where the copy makes total sense, but it’s out of kilter with the visual creative or vice versa. It can lead to a quick win by spending just a bit of time upfront getting all those elements right.

Adobe’s Creative Cloud brand creates social ads that are easy to read, quick to digest, and nice to look at because everything from top to bottom and right to left makes sense and is consistent. It doesn’t matter which part you look at first, you know what the content offer is straight away.

These two ads exemplify that technique. Both include a visually appealing dominant image and headline. The first, “New Ways to Collaborate in a Hybrid World”, includes a one-sentence lead-in describing the content’s purpose and a CTA button to watch the video.

Adobe Creative Cloud ad showing a visually appealing dominant image and headline. The first, "New Ways to Collaborate in a Hybrid World", includes a one-sentence lead-in describing the content’s purpose and a CTA button to watch the video.

The second also includes the one-sentence explainer as both the lead-in and a small text – further emphasizing the message/purpose – appearing below the headline: “Growth. It’s a mindset.” That may seem like a really repetitive way to tackle copy. However, this approach makes the offer really clear when you only have milliseconds to get across your message.

The second ad includes the one-sentence explainer "Research by Forrester reveals how to use creativity as a business tool". Appearing below the headline: “Growth. It’s a mindset.”

You don’t have to repeat the same thing top to bottom; you could experiment with different combinations that tell a story or set a scene in a cohesive manner.

Slack did it in this ad for its content about how to win the best talent, using a stat in a large font in the dominant image: “75% of Australians want flexible work hours.” Above it, the sentence in a smaller font above it echoes the concern and identifies the solution: “Move past the 9-to-5 schedule to reinvent work. Stand out from other companies by offering more flexibility for your people.”

Slack ad shows a stat in a large font in the dominant image: “75% of Australians want flexible work hours.” Above it, the sentence in a smaller font above it echoes the concern and identifies the solution: “Move past the 9-to-5 schedule to reinvent work. Stand out from other companies by offering more flexibility for your people.”

Design success for your content promotion social media ads

Finally, don’t credit a single ad for a campaign. Testing the creative is important, too. Invest time in developing and distributing multiple versions in each content ad campaign. It allows you to identify what’s working and what’s not so that you can make informed tweaks to the creative – adjustments that can boost, strengthen, or even revitalize ad campaign performance.

By spending a bit more time and consideration upfront, you can avoid the common errors and missteps with social ad creative. You can’t guarantee every single paid content promotion will bring amazing results, especially since you don’t control how the platforms serve up your ads. But you can make sure every creative asset is optimized, well-built, and as impactful as it can be.

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Cover image by Joseph Kalinowski/Content Marketing Institute

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YouTube Ad Specs, Sizes, and Examples [2024 Update]

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YouTube Ad Specs, Sizes, and Examples

Introduction

With billions of users each month, YouTube is the world’s second largest search engine and top website for video content. This makes it a great place for advertising. To succeed, advertisers need to follow the correct YouTube ad specifications. These rules help your ad reach more viewers, increasing the chance of gaining new customers and boosting brand awareness.

Types of YouTube Ads

Video Ads

  • Description: These play before, during, or after a YouTube video on computers or mobile devices.
  • Types:
    • In-stream ads: Can be skippable or non-skippable.
    • Bumper ads: Non-skippable, short ads that play before, during, or after a video.

Display Ads

  • Description: These appear in different spots on YouTube and usually use text or static images.
  • Note: YouTube does not support display image ads directly on its app, but these can be targeted to YouTube.com through Google Display Network (GDN).

Companion Banners

  • Description: Appears to the right of the YouTube player on desktop.
  • Requirement: Must be purchased alongside In-stream ads, Bumper ads, or In-feed ads.

In-feed Ads

  • Description: Resemble videos with images, headlines, and text. They link to a public or unlisted YouTube video.

Outstream Ads

  • Description: Mobile-only video ads that play outside of YouTube, on websites and apps within the Google video partner network.

Masthead Ads

  • Description: Premium, high-visibility banner ads displayed at the top of the YouTube homepage for both desktop and mobile users.

YouTube Ad Specs by Type

Skippable In-stream Video Ads

  • Placement: Before, during, or after a YouTube video.
  • Resolution:
    • Horizontal: 1920 x 1080px
    • Vertical: 1080 x 1920px
    • Square: 1080 x 1080px
  • Aspect Ratio:
    • Horizontal: 16:9
    • Vertical: 9:16
    • Square: 1:1
  • Length:
    • Awareness: 15-20 seconds
    • Consideration: 2-3 minutes
    • Action: 15-20 seconds

Non-skippable In-stream Video Ads

  • Description: Must be watched completely before the main video.
  • Length: 15 seconds (or 20 seconds in certain markets).
  • Resolution:
    • Horizontal: 1920 x 1080px
    • Vertical: 1080 x 1920px
    • Square: 1080 x 1080px
  • Aspect Ratio:
    • Horizontal: 16:9
    • Vertical: 9:16
    • Square: 1:1

Bumper Ads

  • Length: Maximum 6 seconds.
  • File Format: MP4, Quicktime, AVI, ASF, Windows Media, or MPEG.
  • Resolution:
    • Horizontal: 640 x 360px
    • Vertical: 480 x 360px

In-feed Ads

  • Description: Show alongside YouTube content, like search results or the Home feed.
  • Resolution:
    • Horizontal: 1920 x 1080px
    • Vertical: 1080 x 1920px
    • Square: 1080 x 1080px
  • Aspect Ratio:
    • Horizontal: 16:9
    • Square: 1:1
  • Length:
    • Awareness: 15-20 seconds
    • Consideration: 2-3 minutes
  • Headline/Description:
    • Headline: Up to 2 lines, 40 characters per line
    • Description: Up to 2 lines, 35 characters per line

Display Ads

  • Description: Static images or animated media that appear on YouTube next to video suggestions, in search results, or on the homepage.
  • Image Size: 300×60 pixels.
  • File Type: GIF, JPG, PNG.
  • File Size: Max 150KB.
  • Max Animation Length: 30 seconds.

Outstream Ads

  • Description: Mobile-only video ads that appear on websites and apps within the Google video partner network, not on YouTube itself.
  • Logo Specs:
    • Square: 1:1 (200 x 200px).
    • File Type: JPG, GIF, PNG.
    • Max Size: 200KB.

Masthead Ads

  • Description: High-visibility ads at the top of the YouTube homepage.
  • Resolution: 1920 x 1080 or higher.
  • File Type: JPG or PNG (without transparency).

Conclusion

YouTube offers a variety of ad formats to reach audiences effectively in 2024. Whether you want to build brand awareness, drive conversions, or target specific demographics, YouTube provides a dynamic platform for your advertising needs. Always follow Google’s advertising policies and the technical ad specs to ensure your ads perform their best. Ready to start using YouTube ads? Contact us today to get started!

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Why We Are Always ‘Clicking to Buy’, According to Psychologists

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Why We Are Always 'Clicking to Buy', According to Psychologists

Amazon pillows.

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A deeper dive into data, personalization and Copilots

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A deeper dive into data, personalization and Copilots

Salesforce launched a collection of new, generative AI-related products at Connections in Chicago this week. They included new Einstein Copilots for marketers and merchants and Einstein Personalization.

To better understand, not only the potential impact of the new products, but the evolving Salesforce architecture, we sat down with Bobby Jania, CMO, Marketing Cloud.

Dig deeper: Salesforce piles on the Einstein Copilots

Salesforce’s evolving architecture

It’s hard to deny that Salesforce likes coming up with new names for platforms and products (what happened to Customer 360?) and this can sometimes make the observer wonder if something is brand new, or old but with a brand new name. In particular, what exactly is Einstein 1 and how is it related to Salesforce Data Cloud?

“Data Cloud is built on the Einstein 1 platform,” Jania explained. “The Einstein 1 platform is our entire Salesforce platform and that includes products like Sales Cloud, Service Cloud — that it includes the original idea of Salesforce not just being in the cloud, but being multi-tenancy.”

Data Cloud — not an acquisition, of course — was built natively on that platform. It was the first product built on Hyperforce, Salesforce’s new cloud infrastructure architecture. “Since Data Cloud was on what we now call the Einstein 1 platform from Day One, it has always natively connected to, and been able to read anything in Sales Cloud, Service Cloud [and so on]. On top of that, we can now bring in, not only structured but unstructured data.”

That’s a significant progression from the position, several years ago, when Salesforce had stitched together a platform around various acquisitions (ExactTarget, for example) that didn’t necessarily talk to each other.

“At times, what we would do is have a kind of behind-the-scenes flow where data from one product could be moved into another product,” said Jania, “but in many of those cases the data would then be in both, whereas now the data is in Data Cloud. Tableau will run natively off Data Cloud; Commerce Cloud, Service Cloud, Marketing Cloud — they’re all going to the same operational customer profile.” They’re not copying the data from Data Cloud, Jania confirmed.

Another thing to know is tit’s possible for Salesforce customers to import their own datasets into Data Cloud. “We wanted to create a federated data model,” said Jania. “If you’re using Snowflake, for example, we more or less virtually sit on your data lake. The value we add is that we will look at all your data and help you form these operational customer profiles.”

Let’s learn more about Einstein Copilot

“Copilot means that I have an assistant with me in the tool where I need to be working that contextually knows what I am trying to do and helps me at every step of the process,” Jania said.

For marketers, this might begin with a campaign brief developed with Copilot’s assistance, the identification of an audience based on the brief, and then the development of email or other content. “What’s really cool is the idea of Einstein Studio where our customers will create actions [for Copilot] that we hadn’t even thought about.”

Here’s a key insight (back to nomenclature). We reported on Copilot for markets, Copilot for merchants, Copilot for shoppers. It turns out, however, that there is just one Copilot, Einstein Copilot, and these are use cases. “There’s just one Copilot, we just add these for a little clarity; we’re going to talk about marketing use cases, about shoppers’ use cases. These are actions for the marketing use cases we built out of the box; you can build your own.”

It’s surely going to take a little time for marketers to learn to work easily with Copilot. “There’s always time for adoption,” Jania agreed. “What is directly connected with this is, this is my ninth Connections and this one has the most hands-on training that I’ve seen since 2014 — and a lot of that is getting people using Data Cloud, using these tools rather than just being given a demo.”

What’s new about Einstein Personalization

Salesforce Einstein has been around since 2016 and many of the use cases seem to have involved personalization in various forms. What’s new?

“Einstein Personalization is a real-time decision engine and it’s going to choose next-best-action, next-best-offer. What is new is that it’s a service now that runs natively on top of Data Cloud.” A lot of real-time decision engines need their own set of data that might actually be a subset of data. “Einstein Personalization is going to look holistically at a customer and recommend a next-best-action that could be natively surfaced in Service Cloud, Sales Cloud or Marketing Cloud.”

Finally, trust

One feature of the presentations at Connections was the reassurance that, although public LLMs like ChatGPT could be selected for application to customer data, none of that data would be retained by the LLMs. Is this just a matter of written agreements? No, not just that, said Jania.

“In the Einstein Trust Layer, all of the data, when it connects to an LLM, runs through our gateway. If there was a prompt that had personally identifiable information — a credit card number, an email address — at a mimum, all that is stripped out. The LLMs do not store the output; we store the output for auditing back in Salesforce. Any output that comes back through our gateway is logged in our system; it runs through a toxicity model; and only at the end do we put PII data back into the answer. There are real pieces beyond a handshake that this data is safe.”

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