The attorneys general for D.C., Indiana, Texas and Washington have sued Google for the “deceptive and unfair practices” the company uses to obtain consumer location data. It’s a bipartisan lawsuit with both Democratic and Republican attorneys general joining.
Dark patterns. The lawsuit accuses Google of using “dark patterns” (specifically: “repeated nudging, misleading pressure tactics, and evasive and deceptive descriptions of location features and settings”) to hand over more location data. Dark patterns are essentially “tricks” that a website or app can include as part of its design that make a user do something they might otherwise not choose to do.
Why we care. Location data is among the most sensitive information Google collects from consumers. Even a limited amount of such data, gathered over time, can expose a person’s identity and routines. Location can also be used to infer personal details such as political or religious affiliation, sexual orientation, income, health status, or participation in support groups, as well as major life events, such as marriage, divorce, and the birth of children.
Location data is even more powerful in the hands of Google, a company that has an unprecedented ability to monitor consumers’ daily lives due to the near ubiquity of Google products in consumers’ pockets, homes, and workplaces—essentially everywhere consumers go. Google’s technologies allow it to analyze massive amounts of location data from billions of people, and to derive insights that consumers may not even realize they revealed. Google uses this window into consumers’ lives to sell advertising that is targeted to consumers according to personal details Google has learned about them, including their demographics, habits, and interests.
Google & Managing Location History. Google has an entire page dedicated to this topic, titled Manage your Location History. In short, this page tells you how to turn your location history on or off and delete your location history. Google encourages users to keep Location History on because it offers benefits such as “personalized maps, recommendations based on places you’ve visited, help finding your phone, real-time traffic updates about your commute, and more useful ads.” That’s the all-important value exchange — but it really has to be high value if a tech giant is going to know where you are.
All marketers aspire to create that memorable moment – one that gets people talking and thinking about their brand well after they first see it.
Historically, the National Football League’s Super Bowl showcased many of those moments – from Apple’s signature 1984 spot to Old Spice’s The Man Your Man Could Smell Like.
The ads turned into more than passing distractions during breaks in the game’s action. They inserted themselves into the fabric of America’s cultural passion and forever linked to that event’s enjoyable experience.
Streaming service Tubi hoped to add its name to that memorable list this year with its interface interruption spot. The ad appeared like the standard return from a commercial break, complete with Fox Sports announcers welcoming viewers back to the game.
But some clever visual overlays quickly transformed the screen into an involuntary streamer-surfing experience. It got viewers to stand up (some literally) and wonder if the screen’s appearance happened because they were sitting on their remotes.
It might not be the stuff of a historically memorable ad, but in a space dominated by high-powered celebrity cameos and pricey nostalgia-centric stunts, Tubi won the day with innovation. The brand kept it real (perhaps too real?), kept the focus on a relatable experience, and emerged with (arguably) the watercooler moment of the game.
Standing out in a marketplace flooded with content takes that kind of disruptive creative vision built on a keen understanding of your brand and its audience.
How can your brand captivate consumers with innovative content creations? Wieden+Kennedy’s head of strategy Marcus Collins says to start by factoring your brand’s cultural perspectives into your creative ideation process.
For innovation to happen, you don’t just need to generate ideas. You need to develop the right ideas that fit your brand’s identity, distinguish it from competitors, and resonate with your audience.
He says you must ask, “What does your brand believe? How does it see the world? What is the driving conviction that’s leading you to seek a change?”
Marcus also thinks cultural alignment can help leaders expand their team’s understanding of the audience and add a focused direction to their ideation process.
“As marketers, we’re not just creating videos, images, and text. What we should be creating are cultural products – things that reflect our organization’s beliefs and how it sees the world. That cultural product creates a gravitational pull for people who see the world similarly,” he says.
To create that pull, your team needs to understand their views. “The discourse between us is how we start to turn ideas into meaning,” Marcus says.
Conducting conversations with your customers is a good place to start. The need also exists to incorporate outside stimuli and diverse perspectives into those conversations. Otherwise, your team might get trapped in an echo chamber. “That prevents new ideas from emerging or new behaviors and processes from being formed around them,” Marcus says.
Organizations often call upon marketers to fuel their innovative ideas. They also frequently equate innovation with creativity. Though related, the two concepts aren’t synonymous.
In a recent blog post, innovation architect and author of Re:Think Innovation Carla Johnson defines the difference this way: “Creativity is the idea of bringing a new perspective to anything and having it add value. Innovation is the process of transforming that creativity into value.”
While one can’t succeed without the other, Carla says failing to recognize and nurture this small yet critical distinction leads many businesses’ innovations to fail. “Misunderstanding what innovation is and how it looks keeps us from really understanding how to come up with those ideas and operationalize them in a beneficial way,” she writes.
Distinguish ‘possibility’ from ‘executability’
Innovation starts with ideas. But your team may need to come up with dozens of raw ideas before homing in on ones worth developing.
Content teams often rely on brainstorming to generate a steady flow of innovation possibilities. They often incorporate improv exercises, word association, and mind-mapping into their creative workflow.
Yet, Carla argues these “free-thinking” exercises can be problematic. “Marketers tend to go straight into the brainstorming step without having done anything to prime their work. There’s no inspiration to come up with an idea that’s truly innovative,” she says.
The resulting ideas often just rehash something already done. Or, after implementing them, you discover the ideas are unrealistic, poorly focused, or difficult to execute effectively.
Consider this illustration of those limitations:
In this Instagram video, actor and Aviation Gin’s influencer-in-chief Ryan Reynolds apologizes to NFL fans for failing to develop an ad for the big game. As a remedy, he conducts an impromptu ad brainstorm for next year’s campaign.
Your creative team likely recognizes the improvisational word association technique he uses. But even Ryan admits the resulting idea isn’t great: Its clever, brand-friendly name lacks a clear brand purpose and consistency with other initiatives. It also causes unexpected challenges for the team members who must iron out the legal and technical details.
Aviation Gin created a follow-up ad that was inspiring (though it has since been taken down). But it’s better to develop ideas that account for the approval and implementation process and the execution as part of a consistent brand experience. Otherwise, those “nice-to-have” ideas won’t get traction within your organization.
Think iteration, not invention
Your content team can develop innovative ideas without being original. Uber didn’t invent the idea of hailing a driver – it just made the process more efficient. Airbnb didn’t invent short-term housing rentals. It translated the model used by hotels, hostels, and independent homeowners by “appifying” the process to create an innovative new business sector.
Marcus likens this to the work of sociologist Claude Lévi-Strauss, who looked at creativity through the lens of bricolage – a French term for creating something new from a diverse range of existing materials.
“That’s hip-hop (music) through and through,” he says. “Take a sample of this, a sample from that, add new lyrics and a melody, and you have a new song. I think for creators, a bricolage approach can get us to ideas that feel familiar yet fresh.”
Manifest’s Creative Pushups initiative is a great example. While the agency certainly didn’t invent the concept of creativity exercises, it evolved the format and introduced it into a new setting, creating something fresh and exciting for the content marketing community.
Creative Pushups began as a series of fun brainstorming and free-expression exercises designed to help Manifest’s team members break away from existing patterns and re-energize their ideation process with some personal flair.
Each pushup kicks off with a quirky creative prompt, such as “Write the title of your memoir,” “Tell us what the Mona Lisa is looking at,” or “Rebrand Thanksgiving from the turkey’s point of view” (shown here).
Manifest’s senior vice president of agency growth Mark Kats says the idea grew out of the need to substitute their in-person brainstorms with virtual sessions at the beginning of the pandemic. Launched as an internal Slack channel, its popularity inspired Manifest to expand the program onto LinkedIn and invite other creatives to participate.
The success of the Creative Pushups LinkedIn group got Manifest thinking about other ways to expand the impact. “We’re passionate about bringing creativity and newness to content. But we became really excited about extending that into a different space,” Mark says.
To test the concept, the agency pitched the idea of Creative Pushups as a series of mini sessions at Content Marketing World 2022.
It took a little convincing – and a lot of logistics work – to translate “spontaneous creativity in a ‘judgment-free zone’” into a presentation-based educational conference.
As you can see from a photo taken at the event, that transformational work included designing a space to feel more vibrant cocktail party than a convention center breakout room. High-top tables and comfy lounge chairs replaced conference desks and banquet chairs. Snacks, beverages, art supplies, and colorful toys inspired creativity, while minimal lighting and upbeat music created a space suitable for enjoyment and exploration.
All that hard work paid off. Creative Pushups was among the most popular sessions at the event, and Manifest is looking to bring it back for Content Marketing World 2023.
But the program’s story doesn’t end there. Manifest took Creative Pushups on the road to expand its impact and influence beyond the marketing arena. “Lots of organizations have internal creative teams that can benefit from activities or workshops that get them thinking a little bit differently about their day-to-day challenges,” Mark says.
That effort kicked off with a sold-out session at this year’s South by Southwest event. Manifest plans to share highlights and details on its latest creative exercises and techniques on LinkedIn.
Enable ‘operation innovation’ to succeed
Your content team’s creative ideas can forge a memorable, meaningful connection with consumers. But you must ignite those sparks of attention repeatedly and sustain and extend their initial connections through additional content assets. Take inspiration from these experts to create an innovative vision that will lead your organization to the next level of success.
Editor’s note: This article originally appeared in CCO.
Get more advice from Chief Content Officer, a publication for content leaders (monthly starting May 2023). Subscribe today to get it in your inbox.
HANDPICKED RELATED CONTENT:
Cover image by Joseph Kalinowski/Content Marketing Institute
Content offers, like ebooks, can convert your existing traffic and even attract new traffic. However, if your ebook isn’t getting too many downloads or leads, your marketing might be the problem. (more…)
When inflation is high the cost of living rises and wages, although rising too, never quite keep up. This has an impact on our pockets. But in addition to the economic consquences of inflation, there are subtler cultural consequences too. That’s something marketers need to understand.
Kate Muhl, a consumer insights expert and VP, analyst at Gartner, shared this insight. “It’s important to think about the idea that there’s more happening with inflation than just economic impact and consumer spending. Those effects start to fade. We’re not where we were a year ago — but lots of consumer attitudes and behaviors are still ripple effects out of that initial inflationary moment.”
What the research shows. The 2023 Gartner Cost-of-Living and Price Sentiment survey revealed the following:
A third of households reported financial hardship due to price increases with the most impact felt by low and low-to-middle income households.
38% of respondents reported cutting their discretionary income (a YoY increase of 15% on 2022).
More than a third have increased spending on store brands and increased their use of coupons.
Over 40% report switching to generic brands, store brands and less expensive products in at least one product category.
57% reported postponing a milestone event (such as a wedding or vacation) due to cost-of-living pressures.
Against this background, consumers and marketers are divided on what responses are appropriate. CMO priorities include increasing the availability of a product or service, offering special deals and increasing rewards and benefits. Customers agree on the special deals, but their other priorities are keeping prices steady and, interestingly, not seeing high-level executives get pay raises.
In Muhl’s view, this reflects a growing sense, especially among younger consumers, that the system is “rigged” in favor of the wealthy. “A lot of this is about consumer sentiment, culture,” said Muhl. “How does it feel? What are people’s prevailing opinions about how the world is working? Those things matter to brands.”
This doesn’t mean marketers should blindly switch to their customers’ priorities. “Consumers are consumers,” said Muhl. “Our job is to be marketers, but as marketers we have to realize that this disconnect exists and use the tools available to us to try to close that gap.”
The right responses. This would be a good time, Muhl believes, to prioritize narratives that speak to thrift and savings and to focus on those brand values most relevant to your customers’ experience of inflationary pressures.
“This is just not the time to get into luxury positionings (with some exceptions) — luxury for its own sake rather than premium or quality,” Muhl said. “Brands need to really think about what their core values are and act from those where appropriate.”
Why we care. The past three years should have taught us that our sentiments, our culture, does not necessary align precisely with real world events. For many of us, deeply felt emotional reactions to a global pandemic did not necessarily coincide with COVID-19’s real-time impact. As the pandemic receded, pandemic-induced behaviors persisted — as did anxiety and uncertainty.
Similarly with inflation. Positive economic indicators and a slow but steady decline in inflation has not relieved foreboding about a recession. Inflation-triggered behaviors and attitudes will not automatically dissipate as inflation recedes to a tolerable level. Marketers need to be aware, sensitive and, as always, transparent in responding to consumer sentiment.