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How To Create Disruptive, Innovative Content

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How To Create Disruptive, Innovative Content

All marketers aspire to create that memorable moment – one that gets people talking and thinking about their brand well after they first see it.

Historically, the National Football League’s Super Bowl showcased many of those moments – from Apple’s signature 1984 spot to Old Spice’s The Man Your Man Could Smell Like.

The ads turned into more than passing distractions during breaks in the game’s action. They inserted themselves into the fabric of America’s cultural passion and forever linked to that event’s enjoyable experience.

Streaming service Tubi hoped to add its name to that memorable list this year with its interface interruption spot. The ad appeared like the standard return from a commercial break, complete with Fox Sports announcers welcoming viewers back to the game.

But some clever visual overlays quickly transformed the screen into an involuntary streamer-surfing experience. It got viewers to stand up (some literally) and wonder if the screen’s appearance happened because they were sitting on their remotes.

It might not be the stuff of a historically memorable ad, but in a space dominated by high-powered celebrity cameos and pricey nostalgia-centric stunts, Tubi won the day with innovation. The brand kept it real (perhaps too real?), kept the focus on a relatable experience, and emerged with (arguably) the watercooler moment of the game.

Standing out in a marketplace flooded with content takes that kind of disruptive creative vision built on a keen understanding of your brand and its audience.

How can your brand captivate consumers with innovative content creations? Wieden+Kennedy’s head of strategy Marcus Collins says to start by factoring your brand’s cultural perspectives into your creative ideation process.

Captivate consumers with innovative content by factoring your brand’s cultural perspective into the ideation process, says @marctothec via @joderama @CMIContent. Click To Tweet

Use a cultural lens to explore new ideas

For innovation to happen, you don’t just need to generate ideas. You need to develop the right ideas that fit your brand’s identity, distinguish it from competitors, and resonate with your audience.

“You need to build your creative operations around the cultural identity of the organization, and that effort has to start with belief, says Marcus, who has an upcoming book on the subject, For The Culture: The Power Behind What We Buy, What We Do, and Who We Want to Be.

He says you must ask, “What does your brand believe? How does it see the world? What is the driving conviction that’s leading you to seek a change?”

Marcus also thinks cultural alignment can help leaders expand their team’s understanding of the audience and add a focused direction to their ideation process.

“As marketers, we’re not just creating videos, images, and text. What we should be creating are cultural products – things that reflect our organization’s beliefs and how it sees the world. That cultural product creates a gravitational pull for people who see the world similarly,” he says.

To create that pull, your team needs to understand their views. “The discourse between us is how we start to turn ideas into meaning,” Marcus says.

Conducting conversations with your customers is a good place to start. The need also exists to incorporate outside stimuli and diverse perspectives into those conversations. Otherwise, your team might get trapped in an echo chamber. “That prevents new ideas from emerging or new behaviors and processes from being formed around them,” Marcus says.

Seek diverse perspectives to avoid getting trapped in an echo chamber of ideas, says @marctothec via @joderama @CMIContent. Click To Tweet

Reset your definition of innovation

Organizations often call upon marketers to fuel their innovative ideas. They also frequently equate innovation with creativity. Though related, the two concepts aren’t synonymous.

In a recent blog post, innovation architect and author of Re:Think Innovation Carla Johnson defines the difference this way: “Creativity is the idea of bringing a new perspective to anything and having it add value. Innovation is the process of transforming that creativity into value.”

#Creativity is the idea of bringing a new perspective to anything and having it add value. Innovation is the process of transforming that creativity into value, says @CarlaJohnson via @joderama @CMIContent. Click To Tweet

While one can’t succeed without the other, Carla says failing to recognize and nurture this small yet critical distinction leads many businesses’ innovations to fail. “Misunderstanding what innovation is and how it looks keeps us from really understanding how to come up with those ideas and operationalize them in a beneficial way,” she writes.

Distinguish ‘possibility’ from ‘executability’

Innovation starts with ideas. But your team may need to come up with dozens of raw ideas before homing in on ones worth developing.

Content teams often rely on brainstorming to generate a steady flow of innovation possibilities. They often incorporate improv exercises, word association, and mind-mapping into their creative workflow.

Yet, Carla argues these “free-thinking” exercises can be problematic. “Marketers tend to go straight into the brainstorming step without having done anything to prime their work. There’s no inspiration to come up with an idea that’s truly innovative,” she says.

The resulting ideas often just rehash something already done. Or, after implementing them, you discover the ideas are unrealistic, poorly focused, or difficult to execute effectively.

Consider this illustration of those limitations:

In this Instagram video, actor and Aviation Gin’s influencer-in-chief Ryan Reynolds apologizes to NFL fans for failing to develop an ad for the big game. As a remedy, he conducts an impromptu ad brainstorm for next year’s campaign.

Your creative team likely recognizes the improvisational word association technique he uses. But even Ryan admits the resulting idea isn’t great: Its clever, brand-friendly name lacks a clear brand purpose and consistency with other initiatives. It also causes unexpected challenges for the team members who must iron out the legal and technical details.

Aviation Gin created a follow-up ad that was inspiring (though it has since been taken down). But it’s better to develop ideas that account for the approval and implementation process and the execution as part of a consistent brand experience. Otherwise, those “nice-to-have” ideas won’t get traction within your organization.

Think iteration, not invention

Your content team can develop innovative ideas without being original. Uber didn’t invent the idea of hailing a driver – it just made the process more efficient. Airbnb didn’t invent short-term housing rentals. It translated the model used by hotels, hostels, and independent homeowners by “appifying” the process to create an innovative new business sector.

Marcus likens this to the work of sociologist Claude Lévi-Strauss, who looked at creativity through the lens of bricolage – a French term for creating something new from a diverse range of existing materials.

“That’s hip-hop (music) through and through,” he says. “Take a sample of this, a sample from that, add new lyrics and a melody, and you have a new song. I think for creators, a bricolage approach can get us to ideas that feel familiar yet fresh.”

Manifest’s Creative Pushups initiative is a great example. While the agency certainly didn’t invent the concept of creativity exercises, it evolved the format and introduced it into a new setting, creating something fresh and exciting for the content marketing community.

Creative Pushups began as a series of fun brainstorming and free-expression exercises designed to help Manifest’s team members break away from existing patterns and re-energize their ideation process with some personal flair.

Each pushup kicks off with a quirky creative prompt, such as “Write the title of your memoir,” “Tell us what the Mona Lisa is looking at,” or “Rebrand Thanksgiving from the turkey’s point of view” (shown here).

Manifest’s senior vice president of agency growth Mark Kats says the idea grew out of the need to substitute their in-person brainstorms with virtual sessions at the beginning of the pandemic. Launched as an internal Slack channel, its popularity inspired Manifest to expand the program onto LinkedIn and invite other creatives to participate.

The success of the Creative Pushups LinkedIn group got Manifest thinking about other ways to expand the impact. “We’re passionate about bringing creativity and newness to content. But we became really excited about extending that into a different space,” Mark says.

To test the concept, the agency pitched the idea of Creative Pushups as a series of mini sessions at Content Marketing World 2022.

It took a little convincing – and a lot of logistics work – to translate “spontaneous creativity in a ‘judgment-free zone’” into a presentation-based educational conference.

How To Create Disruptive Innovative Content

As you can see from a photo taken at the event, that transformational work included designing a space to feel more vibrant cocktail party than a convention center breakout room. High-top tables and comfy lounge chairs replaced conference desks and banquet chairs. Snacks, beverages, art supplies, and colorful toys inspired creativity, while minimal lighting and upbeat music created a space suitable for enjoyment and exploration.

All that hard work paid off. Creative Pushups was among the most popular sessions at the event, and Manifest is looking to bring it back for Content Marketing World 2023.

But the program’s story doesn’t end there. Manifest took Creative Pushups on the road to expand its impact and influence beyond the marketing arena. “Lots of organizations have internal creative teams that can benefit from activities or workshops that get them thinking a little bit differently about their day-to-day challenges,” Mark says.

That effort kicked off with a sold-out session at this year’s South by Southwest event. Manifest plans to share highlights and details on its latest creative exercises and techniques on LinkedIn.

Enable ‘operation innovation’ to succeed

Your content team’s creative ideas can forge a memorable, meaningful connection with consumers. But you must ignite those sparks of attention repeatedly and sustain and extend their initial connections through additional content assets. Take inspiration from these experts to create an innovative vision that will lead your organization to the next level of success.

Editor’s note: This article originally appeared in CCO.

Get more advice from Chief Content Officer, a publication for content leaders (monthly starting May 2023). Subscribe today to get it in your inbox.

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Cover image by Joseph Kalinowski/Content Marketing Institute



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YouTube Ad Specs, Sizes, and Examples [2024 Update]

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YouTube Ad Specs, Sizes, and Examples

Introduction

With billions of users each month, YouTube is the world’s second largest search engine and top website for video content. This makes it a great place for advertising. To succeed, advertisers need to follow the correct YouTube ad specifications. These rules help your ad reach more viewers, increasing the chance of gaining new customers and boosting brand awareness.

Types of YouTube Ads

Video Ads

  • Description: These play before, during, or after a YouTube video on computers or mobile devices.
  • Types:
    • In-stream ads: Can be skippable or non-skippable.
    • Bumper ads: Non-skippable, short ads that play before, during, or after a video.

Display Ads

  • Description: These appear in different spots on YouTube and usually use text or static images.
  • Note: YouTube does not support display image ads directly on its app, but these can be targeted to YouTube.com through Google Display Network (GDN).

Companion Banners

  • Description: Appears to the right of the YouTube player on desktop.
  • Requirement: Must be purchased alongside In-stream ads, Bumper ads, or In-feed ads.

In-feed Ads

  • Description: Resemble videos with images, headlines, and text. They link to a public or unlisted YouTube video.

Outstream Ads

  • Description: Mobile-only video ads that play outside of YouTube, on websites and apps within the Google video partner network.

Masthead Ads

  • Description: Premium, high-visibility banner ads displayed at the top of the YouTube homepage for both desktop and mobile users.

YouTube Ad Specs by Type

Skippable In-stream Video Ads

  • Placement: Before, during, or after a YouTube video.
  • Resolution:
    • Horizontal: 1920 x 1080px
    • Vertical: 1080 x 1920px
    • Square: 1080 x 1080px
  • Aspect Ratio:
    • Horizontal: 16:9
    • Vertical: 9:16
    • Square: 1:1
  • Length:
    • Awareness: 15-20 seconds
    • Consideration: 2-3 minutes
    • Action: 15-20 seconds

Non-skippable In-stream Video Ads

  • Description: Must be watched completely before the main video.
  • Length: 15 seconds (or 20 seconds in certain markets).
  • Resolution:
    • Horizontal: 1920 x 1080px
    • Vertical: 1080 x 1920px
    • Square: 1080 x 1080px
  • Aspect Ratio:
    • Horizontal: 16:9
    • Vertical: 9:16
    • Square: 1:1

Bumper Ads

  • Length: Maximum 6 seconds.
  • File Format: MP4, Quicktime, AVI, ASF, Windows Media, or MPEG.
  • Resolution:
    • Horizontal: 640 x 360px
    • Vertical: 480 x 360px

In-feed Ads

  • Description: Show alongside YouTube content, like search results or the Home feed.
  • Resolution:
    • Horizontal: 1920 x 1080px
    • Vertical: 1080 x 1920px
    • Square: 1080 x 1080px
  • Aspect Ratio:
    • Horizontal: 16:9
    • Square: 1:1
  • Length:
    • Awareness: 15-20 seconds
    • Consideration: 2-3 minutes
  • Headline/Description:
    • Headline: Up to 2 lines, 40 characters per line
    • Description: Up to 2 lines, 35 characters per line

Display Ads

  • Description: Static images or animated media that appear on YouTube next to video suggestions, in search results, or on the homepage.
  • Image Size: 300×60 pixels.
  • File Type: GIF, JPG, PNG.
  • File Size: Max 150KB.
  • Max Animation Length: 30 seconds.

Outstream Ads

  • Description: Mobile-only video ads that appear on websites and apps within the Google video partner network, not on YouTube itself.
  • Logo Specs:
    • Square: 1:1 (200 x 200px).
    • File Type: JPG, GIF, PNG.
    • Max Size: 200KB.

Masthead Ads

  • Description: High-visibility ads at the top of the YouTube homepage.
  • Resolution: 1920 x 1080 or higher.
  • File Type: JPG or PNG (without transparency).

Conclusion

YouTube offers a variety of ad formats to reach audiences effectively in 2024. Whether you want to build brand awareness, drive conversions, or target specific demographics, YouTube provides a dynamic platform for your advertising needs. Always follow Google’s advertising policies and the technical ad specs to ensure your ads perform their best. Ready to start using YouTube ads? Contact us today to get started!

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Why We Are Always ‘Clicking to Buy’, According to Psychologists

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Why We Are Always 'Clicking to Buy', According to Psychologists

Amazon pillows.

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A deeper dive into data, personalization and Copilots

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A deeper dive into data, personalization and Copilots

Salesforce launched a collection of new, generative AI-related products at Connections in Chicago this week. They included new Einstein Copilots for marketers and merchants and Einstein Personalization.

To better understand, not only the potential impact of the new products, but the evolving Salesforce architecture, we sat down with Bobby Jania, CMO, Marketing Cloud.

Dig deeper: Salesforce piles on the Einstein Copilots

Salesforce’s evolving architecture

It’s hard to deny that Salesforce likes coming up with new names for platforms and products (what happened to Customer 360?) and this can sometimes make the observer wonder if something is brand new, or old but with a brand new name. In particular, what exactly is Einstein 1 and how is it related to Salesforce Data Cloud?

“Data Cloud is built on the Einstein 1 platform,” Jania explained. “The Einstein 1 platform is our entire Salesforce platform and that includes products like Sales Cloud, Service Cloud — that it includes the original idea of Salesforce not just being in the cloud, but being multi-tenancy.”

Data Cloud — not an acquisition, of course — was built natively on that platform. It was the first product built on Hyperforce, Salesforce’s new cloud infrastructure architecture. “Since Data Cloud was on what we now call the Einstein 1 platform from Day One, it has always natively connected to, and been able to read anything in Sales Cloud, Service Cloud [and so on]. On top of that, we can now bring in, not only structured but unstructured data.”

That’s a significant progression from the position, several years ago, when Salesforce had stitched together a platform around various acquisitions (ExactTarget, for example) that didn’t necessarily talk to each other.

“At times, what we would do is have a kind of behind-the-scenes flow where data from one product could be moved into another product,” said Jania, “but in many of those cases the data would then be in both, whereas now the data is in Data Cloud. Tableau will run natively off Data Cloud; Commerce Cloud, Service Cloud, Marketing Cloud — they’re all going to the same operational customer profile.” They’re not copying the data from Data Cloud, Jania confirmed.

Another thing to know is tit’s possible for Salesforce customers to import their own datasets into Data Cloud. “We wanted to create a federated data model,” said Jania. “If you’re using Snowflake, for example, we more or less virtually sit on your data lake. The value we add is that we will look at all your data and help you form these operational customer profiles.”

Let’s learn more about Einstein Copilot

“Copilot means that I have an assistant with me in the tool where I need to be working that contextually knows what I am trying to do and helps me at every step of the process,” Jania said.

For marketers, this might begin with a campaign brief developed with Copilot’s assistance, the identification of an audience based on the brief, and then the development of email or other content. “What’s really cool is the idea of Einstein Studio where our customers will create actions [for Copilot] that we hadn’t even thought about.”

Here’s a key insight (back to nomenclature). We reported on Copilot for markets, Copilot for merchants, Copilot for shoppers. It turns out, however, that there is just one Copilot, Einstein Copilot, and these are use cases. “There’s just one Copilot, we just add these for a little clarity; we’re going to talk about marketing use cases, about shoppers’ use cases. These are actions for the marketing use cases we built out of the box; you can build your own.”

It’s surely going to take a little time for marketers to learn to work easily with Copilot. “There’s always time for adoption,” Jania agreed. “What is directly connected with this is, this is my ninth Connections and this one has the most hands-on training that I’ve seen since 2014 — and a lot of that is getting people using Data Cloud, using these tools rather than just being given a demo.”

What’s new about Einstein Personalization

Salesforce Einstein has been around since 2016 and many of the use cases seem to have involved personalization in various forms. What’s new?

“Einstein Personalization is a real-time decision engine and it’s going to choose next-best-action, next-best-offer. What is new is that it’s a service now that runs natively on top of Data Cloud.” A lot of real-time decision engines need their own set of data that might actually be a subset of data. “Einstein Personalization is going to look holistically at a customer and recommend a next-best-action that could be natively surfaced in Service Cloud, Sales Cloud or Marketing Cloud.”

Finally, trust

One feature of the presentations at Connections was the reassurance that, although public LLMs like ChatGPT could be selected for application to customer data, none of that data would be retained by the LLMs. Is this just a matter of written agreements? No, not just that, said Jania.

“In the Einstein Trust Layer, all of the data, when it connects to an LLM, runs through our gateway. If there was a prompt that had personally identifiable information — a credit card number, an email address — at a mimum, all that is stripped out. The LLMs do not store the output; we store the output for auditing back in Salesforce. Any output that comes back through our gateway is logged in our system; it runs through a toxicity model; and only at the end do we put PII data back into the answer. There are real pieces beyond a handshake that this data is safe.”

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