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New Report Shows YouTube Contributed $25 Billion to the American Economy in 2021



New Report Shows YouTube Contributed $25 Billion to the American Economy in 2021

YouTube has become a significant element within the broader Creator Economy, with the platform generating billions of dollars each year that’s then passed on to creators via its Partner Program and other initiatives.

But just how significant YouTube is in this respect may surprise you, with a new study by Oxford Economics finding that YouTube’s creative ecosystem contributed more than $25 billion to the American economy in 2021, and supported more than 425,000 full-time equivalent jobs.

The study, which has been released today, provides some powerful insights into YouTube’s presence, and how it’s helping to support creators in a range of ways.

The team from Oxford surveyed more than 6,000 YouTube users, creators, and businesses for the report, giving it a huge data pool to work with, with the results, as noted, underlining the significance of YouTube’s platform, via various means.

YouTube Creator Economy report

This remains one of YouTube’s greatest competitive advantages – while TikTok is the video platform of the moment, and Meta has had varying success with its video tools, YouTube offers more earnings potential for creators, which is a big part of why it continues to win out, and get more top creators to align themselves to its app.

That’s why YouTube Shorts is such a significant threat to TikTok – not because Shorts is as good, nor that it can serve as a standalone competitor to TikTok, as such. But because it’s a complementary channel to a creators’ main YouTube feed, and if you can build your channel audience, you have greater potential to monetize your work – something that TikTok creators continue to be frustrated by.

Eventually, that could become a bigger concern, and could see more of TikTok’s top stars migrating to YouTube instead.

The report also looks at how businesses are making use of YouTube, with specific insights into how SMBs have derived benefit from establishing a YouTube presence.

YouTube Creator Economy report

There are also notes on common usage trends, which could assist in your YouTube content planning.

YouTube Creator Economy report

It’s an interesting overview of YouTube’s presence and its role in digital interaction – and how it’s fueling the Creator Economy, and providing a pathway for more people to monetize their passions.

Which, again, could end up being a major element in the online video wars, especially as TikTok creators reach a level of notoriety where turning their content into a career becomes a viable consideration.

At some stage, YouTube likely looks more appealing in this context, and if enough creators switch across, that could become an existential threat for TikTok in future.

You can download the full Oxford Economics/YouTube Creator Economy report here.

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UK teen died after ‘negative effects of online content’: coroner



Molly Russell was exposed to online material 'that may have influenced her in a negative way'

Molly Russell was exposed to online material ‘that may have influenced her in a negative way’ – Copyright POOL/AFP/File Philip FONG

A 14-year-old British girl died from an act of self harm while suffering from the “negative effects of online content”, a coroner said Friday in a case that shone a spotlight on social media companies.

Molly Russell was “exposed to material that may have influenced her in a negative way and, in addition, what had started as a depression had become a more serious depressive illness,” Andrew Walker ruled at North London Coroner’s Court.

The teenager “died from an act of self-harm while suffering depression”, he said, but added it would not be “safe” to conclude it was suicide.

Some of the content she viewed was “particularly graphic” and “normalised her condition,” said Walker.

Russell, from Harrow in northwest London, died in November 2017, leading her family to set up a campaign highlighting the dangers of social media.

“There are too many others similarly affected right now,” her father Ian Russell said after the ruling.


“At this point, I just want to say however dark it seems, there is always hope.

“I hope that this will be an important step in bringing about much needed change,” he added.

The week-long hearing became heated when the family’s lawyer, Oliver Sanders, took an Instagram executive to task.

A visibly angry Sanders asked Elizabeth Lagone, the head of health and wellbeing at Meta, Instagram’s parent company, why the platform allowed children to use it when it was “allowing people to put potentially harmful content on it”.

“You are not a parent, you are just a business in America. You have no right to do that. The children who are opening these accounts don’t have the capacity to consent to this,” he said.

Lagone apologised after being shown footage, viewed by Russell, that “violated our policies”.

Of the 16,300 posts Russell saved, shared or liked on Instagram in the six-month period before her death, 2,100 related to depression, self-harm or suicide, the inquest heard.

Children’s charity NSPCC said the ruling “must be a turning point”.


“Tech companies must be held accountable when they don’t make children’s safety a priority,” tweeted the charity.

“This must be a turning point,” it added, stressing that any delay to a government bill dealing with online safety “would be inconceivable to parents”.

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