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Snapchat Launches New AR Art Project Which Places Digital ‘Monuments’ Across LA

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Snapchat has launched a new digital art project, in collaboration with the Los Angeles County Museum of Art (LACMA), which will see five digital ‘monuments’ placed around LA “that explore history and representation for communities” across the region.

As you can see in the video, the new digital monuments will be viewable through the Snap camera, enabling users to engage with these expanded installations, while also opening up the projects to new audiences around the world.

As explained by Snap:

Designed to be experienced at locations around the city through the Snapchat Camera, you can find them at sites including LACMA, MacArthur Park, Earvin “Magic” Johnson Park, and Los Angeles Memorial Coliseum. Those in the area can discover the virtual monuments easily by looking for their markers on the Snap Map.” 

The new project is the latest in Snapchat’s ongoing exploration of AR as an artistic medium, and a form of presentation for modern artworks.

Back in 2017, Snapchat launched its first major AR art installation project, with artists like Jeff Koons placing digital sculptures in various locations for Snap users to inspect.

Snapchat Jeff Koons

Snapchat has also worked with British painter Damien Hirst on a charity-inspired AR art project, while it also launched its first ‘City Painter’ collaborative AR art project in Carnaby Street in London late last year.

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Through such experiments, Snap is providing a new pathway to not only using AR for novelty or gimmick-driven purposes, but also to advance the medium, and establish it as a genuine art form, providing a platform to present these new works to large-scale audiences. And with the growth of digital art via NFTs, that could be an important element, while also enabling Snap to build a genuine creative culture around AR tools, rather than simply looking to maximize basic engagement and metrics.

Through this project specifically, Snap is also looking to maximize advocacy and representation in its art projects, and it’s another powerful example of how modern options are advancing our creative capacity, and providing new ways for artists to connect with new audiences.

That could be important, in more ways than one – while it also enables Snap to remain at the forefront of the rising AR shift, which is set to gain significant momentum with the arrival of AR-enabled wearables and other devices.

Snap’s work here is actually more important than many realize. The next generation, for example, will only know a world where AR has existed, and the next cohort of creators are increasingly likely to be digital artists, armed with AR expertise. 

That will boost audience expectations around the same, and soon, every art gallery will need to be investing in AR tools to facilitate expression. 

The AR shift will be significant, and Snap looks set to be a significant part of it.

If you’re not in LA, you can view Snapchat’s new digital monuments via the LACMA website.

Socialmediatoday.com

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UK teen died after ‘negative effects of online content’: coroner

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Molly Russell was exposed to online material 'that may have influenced her in a negative way'

Molly Russell was exposed to online material ‘that may have influenced her in a negative way’ – Copyright POOL/AFP/File Philip FONG

A 14-year-old British girl died from an act of self harm while suffering from the “negative effects of online content”, a coroner said Friday in a case that shone a spotlight on social media companies.

Molly Russell was “exposed to material that may have influenced her in a negative way and, in addition, what had started as a depression had become a more serious depressive illness,” Andrew Walker ruled at North London Coroner’s Court.

The teenager “died from an act of self-harm while suffering depression”, he said, but added it would not be “safe” to conclude it was suicide.

Some of the content she viewed was “particularly graphic” and “normalised her condition,” said Walker.

Russell, from Harrow in northwest London, died in November 2017, leading her family to set up a campaign highlighting the dangers of social media.

“There are too many others similarly affected right now,” her father Ian Russell said after the ruling.

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“At this point, I just want to say however dark it seems, there is always hope.

“I hope that this will be an important step in bringing about much needed change,” he added.

The week-long hearing became heated when the family’s lawyer, Oliver Sanders, took an Instagram executive to task.

A visibly angry Sanders asked Elizabeth Lagone, the head of health and wellbeing at Meta, Instagram’s parent company, why the platform allowed children to use it when it was “allowing people to put potentially harmful content on it”.

“You are not a parent, you are just a business in America. You have no right to do that. The children who are opening these accounts don’t have the capacity to consent to this,” he said.

Lagone apologised after being shown footage, viewed by Russell, that “violated our policies”.

Of the 16,300 posts Russell saved, shared or liked on Instagram in the six-month period before her death, 2,100 related to depression, self-harm or suicide, the inquest heard.

Children’s charity NSPCC said the ruling “must be a turning point”.

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“Tech companies must be held accountable when they don’t make children’s safety a priority,” tweeted the charity.

“This must be a turning point,” it added, stressing that any delay to a government bill dealing with online safety “would be inconceivable to parents”.

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