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Steer Clear of Overused Stock Photos With These Planning Tips and Resources

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Steer Clear of Overused Stock Photos With These Planning Tips and Resources

Marketers use a lot of images.

In an average week, 42.8% of surveyed marketers publish at least five visuals, and 40.8% use two to five images, according to a Venngage study.

Sourcing and organizing all those images take up a lot of the content marketing’s team time. That’s why so many teams rely on image banks filled with inexpensive (but sometimes clichéd or less than ideal) options.

You can cut down that work and end up with better images with some planning. Try these tips to create your own “stock” photography library and update your list of other stock resources.

Plan to do more with the images you’re already capturing

Many companies create customer stories, profiles, case studies, and testimonials. If your company does, find out whether a professional photographer will be shooting images to support it. Then, plan to enlist the photographer to capture a few extras.

Consider this photograph in a Stearns Bank customer story about Danielle Bennett, who works for a property group that sought the bank’s help in financing a senior living community:

An image of a woman smiling and sitting at her desk.

A cursory review indicates this seems to be the only image of Danielle or her office in their digital marketing materials. But imagine if Stearns had turned this need for a customer story image into a photo shoot to capture several “stock” images for other content, such as blogs and social media. For example, with the subject’s permission, the photographer could have created images, such as a woman working on a computer, an office with glass walls, or a close-up of a hand grasping a pen and writing in a notebook.

TBH Creative regularly does that kind of multi-task photo shoots for the firm and its clients, says Joy Olivia Miller, a content strategist at the agency. (Joy worked with Pulitzer Prize-winning photographer Don Dry early in her career.)

The photographer takes images for websites, social media, presentations, email campaigns, signature graphics, case studies, downloadable content offers, and so on. They also may shoot one-off assets for other marketing and advertising content, such as store window posters, in-store digital displays, events, banners, and booths.

“We are able to get so much out of these branded photo shoots … because we do a lot of planning up front,” Joy says.

Get more out of branded photo shoots by planning to capture #images for more than one #ContentMarketing asset or medium, says Joy Miller of @tbhcreative via @AnnGynn @CMIContent. Click To Tweet


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How to make the most of a photo shoot

Joy shared the planning tips she relies on for efficient photo shoots:

  • Aim for timeless imagery. Make sure subjects don’t wear trendy clothes or patterns that indicate the images’ date. Simplify backgrounds and ask the subjects to wear clothes in brand colors.
  • Do a lighting test before the shoot to make sure the space works for your photographer’s needs. Will a backdrop and lights fit? Are there sufficient outlets? If not, is natural light enough to create the feel you want even on a gray day?
  • Prep the props. For example, if a person will be using a computer in the photo, is the screen ready? Does it show proprietary data you wouldn’t want viewers to see? Do you have another sweater or jacket ready to swap out to achieve a different look on the model?

To make the most of your photographer’s time and ensure you get sufficient images for your primary and secondary content uses, follow this advice from Joy:

  • Shoot in more than one direction. Capture images in vertical and horizontal formats.
  • Shoot close-ups and wide shots to have more flexibility with the images.
  • Set up scenes to accommodate adding subjects or messages later. For example, if an executive isn’t available for a team shot, leave space for her in the picture. Or shoot a blank screen or whiteboard where you can add and change product photos and messages.
  • Get routine shots of your company. For example, get a picture of your building to use on your website and Google My Business profile.
  • Don’t rely solely on the photographer. Take your own photos to give viewers a behind-the-scenes view. You can share them to show your viewers a glimpse of the subjects in more relaxed settings.

When you receive the images from the photo shoot, you can use them for the primary purpose and categorize them so they’re accessible in a visual content library when content marketers and others need an image for another purpose.

TIP: Ensure all images taken at a photo shoot are owned and licensed by you for commercial use, says Kamyar Shah, business consultant.

Ensure all #images taken at a photo shoot are owned and licensed by you for commercial use, says @bsnscnslt via @AnnGynn @CMIContent. Click To Tweet

Skip the ‘stock’ stock sites

Of course, it takes time to build your in-house image library. Even if you have one, you may need to turn to commercially available stock photography occasionally. Almost 30% of marketers in the Venngage survey say they use stock photos, but only 8.9% of that group said those stock photos helped them reach their marketing goals.

Almost 30% of marketers say they use stock #photos, but less than 10% of those feel the stock photos helped them reach their goals, according to a @Venngage study via @AnnGynn @CMIContent. Click To Tweet

The problem? Stock photography can appear unoriginal. Marketers often rely on the same-old, same-old images from the most popular stock imagery sites. Your audience has probably seen that guy standing in front of the conference table on multiple websites. That happy family? Yes, they show up in various scenarios in a half-dozen content assets from six different companies.

Another problem? Your audience doesn’t see themselves or people who are different from them. Though progress is being made, white people dominate the options, as do stereotypical roles and families. And that’s a mistake.

Microsoft Advertising’s research, The Psychology of Inclusion and the Effects in Advertising, found over 60% of people are more trusting of brands and think those brands are more authentic when they reflect diversity in their ads. That same survey also found that the purchase intent for the “most inclusive” ad – featuring people across age, gender, and ethnicity who all had some form of a disability – was 13 points higher than for the “most appealing” ad and 23 points higher than all the ads shown.

“We need more inclusive photos and more photos with equal power,” says marketer Penny Gralewski.

We need more inclusive photos and more powerful photos in #ContentMarketing, says @virtualpenny via @AnnGynn @CMIContent. Click To Tweet

Try these diverse image collections

To help in that process, here are some go-to sites for inclusive and diverse stock imagery:

  • CreateHER Stock features “melanated women,” says Penny, who learned about the site from Christine Michael Carter at Content Marketing World.
  • She Bold Stock comes recommended by Anita Kirkbride of Twirp Communications, who says: “The photos are bright and well laid out. There is a great diversity of people in the images.”
  • AllGo specializes in photography of plus-sized people, and Picnoi includes diverse collections of minority people from all walks of life (recommended by Zach Blenkinsopp of Digital Roofing Innovations).
  • WOCinTech features women of color in tech; Mocha Stock includes multicultural photography and illustrations (recommended by business consultant Kamyar Shah).
  • Nappy focuses on Black and Brown people (recommended by Herbert Lui of Wondershuttle).
  • The Gender Spectrum Collection from Vice focuses on trans and nonbinary models; Representation Matters lists of diverse stock photo sites (recommended by Richard Lubicky of RealPeopleSearch).
  • Unsplash offers a vast beautiful library that credits the photographers and is easily searchable; Pexels offers some unusual alternative images (recommended by Beth Kapes of Moving Words Into Action).

Ask for the images you need

If you see a photographer’s images that have some relevancy to what you need, reach out to the photographer to see if they have another version, says Joy Olivia Miller of TBH Creative.

For example, if you need a picture of a college student in a wheelchair and see an image of a young adult in a wheelchair behind a desk, reach out to that photographer and ask whether they have other versions. If you see a photo showing an older male doctor treating a young woman patient, ask the photographer if they have other pictures with different models. “Sometimes they mix up their shoots and have people swap in and out,” Joy says.

Doing more with planned photo shoots and expanding your stock photo options will improve your visual content development. You’ll appreciate having more relevant image choices for your content assets.

And more importantly, your audience will appreciate seeing original, diverse, and inclusive imagery that’s relevant to them.

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Cover image by Joseph Kalinowski/Content Marketing Institute




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Google’s Surgical Strike on Reputation Abuse

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Google’s Surgical Strike on Reputation Abuse

These aren’t easy questions. On the one hand, many of these sites do clearly fit Google’s warning and were using their authority and reputation to rank content that is low-relevance to the main site and its visitors. With any punitive action, though, the problem is that the sites ranking below the penalized sites may not be of any higher quality. Is USA Today’s coupon section less useful than the dedicated coupon sites that will take its place from the perspective of searchers? Probably not, especially since the data comes from similar sources.

There is a legitimate question of trust here — searchers are more likely to trust this content if it’s attached to a major brand. If a site is hosting third-party content, such as a coupon marketplace, then they’re essentially lending their brand and credibility to content that they haven’t vetted. This could be seen as an abuse of trust.

In Google’s eyes, I suspect the problem is that this tactic has just spread too far, and they couldn’t continue to ignore it. Unfortunately for the sites that were hit, the penalties were severe and wiped out impacted content. Regardless of how we feel about the outcome, this was not an empty threat, and SEOs need to take Google’s new guidelines seriously.

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18 Events and Conferences for Black Entrepreneurs in 2024

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18 Events and Conferences for Black Entrepreneurs in 2024

Welcome to Breaking the Blueprint — a blog series that dives into the unique business challenges and opportunities of underrepresented business owners and entrepreneurs. Learn how they’ve grown or scaled their businesses, explored entrepreneurial ventures within their companies, or created side hustles, and how their stories can inspire and inform your own success.

It can feel isolating if you’re the only one in the room who looks like you.

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IAB Podcast Upfront highlights rebounding audiences and increased innovation

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IAB podcast upfronts in New York

IAB podcast upfronts in New York
Left to right: Hosts Charlamagne tha God and Jess Hilarious, Will Pearson, President, iHeartPodcasts and Conal Byrne, CEO, iHeartMedia Digital Group in New York. Image: Chris Wood.

Podcasts are bouncing back from last year’s slowdown with digital audio publishers, tech partners and brands innovating to build deep relationships with listeners.

At the IAB Podcast Upfront in New York this week, hit shows and successful brand placements were lauded. In addition to the excitement generated by stars like Jon Stewart and Charlamagne tha God, the numbers gauging the industry also showed promise.

U.S. podcast revenue is expected to grow 12% to reach $2 billion — up from 5% growth last year — according to a new IAB/PwC study. Podcasts are projected to reach $2.6 billion by 2026.

The growth is fueled by engaging content and the ability to measure its impact. Adtech is stepping in to measure, prove return on spend and manage brand safety in gripping, sometimes contentious, environments.

“As audio continues to evolve and gain traction, you can expect to hear new innovations around data, measurement, attribution and, crucially, about the ability to assess podcasting’s contribution to KPIs in comparison to other channels in the media mix,” said IAB CEO David Cohen, in his opening remarks.

Comedy and sports leading the way

Podcasting’s slowed growth in 2023 was indicative of lower ad budgets overall as advertisers braced for economic headwinds, according to Matt Shapo, director, Media Center for IAB, in his keynote. The drought is largely over. Data from media analytics firm Guideline found podcast gross media spend up 21.7% in Q1 2024 over Q1 2023. Monthly U.S. podcast listeners now number 135 million, averaging 8.3 podcast episodes per week, according to Edison Research.

Comedy overtook sports and news to become the top podcast category, according to the new IAB report, “U.S. Podcast Advertising Revenue Study: 2023 Revenue & 2024-2026 Growth Projects.” Comedy podcasts gained nearly 300 new advertisers in Q4 2023.

Sports defended second place among popular genres in the report. Announcements from the stage largely followed these preferences.

Jon Stewart, who recently returned to “The Daily Show” to host Mondays, announced a new podcast, “The Weekly Show with Jon Stewart,” via video message at the Upfront. The podcast will start next month and is part of Paramount Audio’s roster, which has a strong sports lineup thanks to its association with CBS Sports.

Reaching underserved groups and tastes

IHeartMedia toasted its partnership with radio and TV host Charlamagne tha God. Charlamagne’s The Black Effect is the largest podcast network in the U.S. for and by black creators. Comedian Jess Hilarious spoke about becoming the newest co-host of the long-running “The Breakfast Club” earlier this year, and doing it while pregnant.

The company also announced a new partnership with Hello Sunshine, a media company founded by Oscar-winner Reese Witherspoon. One resulting podcast, “The Bright Side,” is hosted by journalists Danielle Robay and Simone Boyce. The inspiration for the show was to tell positive stories as a counterweight to negativity in the culture.

With such a large population listening to podcasts, advertisers can now benefit from reaching specific groups catered to by fine-tuned creators and topics. As the top U.S. audio network, iHeartMedia touted its reach of 276 million broadcast listeners. 

Connecting advertisers with the right audience

Through its acquisition of technology, including audio adtech company Triton Digital in 2021, as well as data partnerships, iHeartMedia claims a targetable audience of 34 million podcast listeners through its podcast network, and a broader audio audience of 226 million for advertisers, using first- and third-party data.

“A more diverse audience is tuning in, creating more opportunities for more genres to reach consumers — from true crime to business to history to science and culture, there is content for everyone,” Cohen said.

The IAB study found that the top individual advertiser categories in 2023 were Arts, Entertainment and Media (14%), Financial Services (13%), CPG (12%) and Retail (11%). The largest segment of advertisers was Other (27%), which means many podcast advertisers have distinct products and services and are looking to connect with similarly personalized content.

Acast, the top global podcast network, founded in Stockholm a decade ago, boasts 125,000 shows and 400 million monthly listeners. The company acquired podcast database Podchaser in 2022 to gain insights on 4.5 million podcasts (at the time) with over 1.7 billion data points.

Measurement and brand safety

Technology is catching up to the sheer volume of content in the digital audio space. Measurement company Adelaide developed its standard unit of attention, the AU, to predict how effective ad placements will be in an “apples to apples” way across channels. This method is used by The Coca-Cola Company, NBA and AB InBev, among other big advertisers.

In a study with National Public Media, which includes NPR radio and popular podcasts like the “Tiny Desk” concert series, Adelaide found that NPR, on average, scored 10% higher than Adelaide’s Podcast AU Benchmarks, correlating to full-funnel outcomes. NPR listeners weren’t just clicking through to advertisers’ sites, they were considering making a purchase.

Advertisers can also get deep insights on ad effectiveness through Wondery’s premium podcasts — the company was acquired by Amazon in 2020. Ads on its podcasts can now be managed through the Amazon DSP, and measurement of purchases resulting from ads will soon be available.

The podcast landscape is growing rapidly, and advertisers are understandably concerned about involving their brands with potentially controversial content. AI company Seekr develops large language models (LLMs) to analyze online content, including the context around what’s being said on a podcast. It offers a civility rating that determines if a podcast mentioning “shootings,” for instance, is speaking responsibly and civilly about the topic. In doing so, Seekr adds a layer of confidence for advertisers who would otherwise pass over an opportunity to reach an engaged audience on a topic that means a lot to them. Seekr recently partnered with ad agency Oxford Road to bring more confidence to clients.

“When we move beyond the top 100 podcasts, it becomes infinitely more challenging for these long tails of podcasts to be discovered and monetized,” said Pat LaCroix, EVP, strategic partnerships at Seekr. “Media has a trust problem. We’re living in a time of content fragmentation, political polarization and misinformation. This is all leading to a complex and challenging environment for brands to navigate, especially in a channel where brand safety tools have been in the infancy stage.”



Dig deeper: 10 top marketing podcasts for 2024

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