MARKETING
Steer Clear of Overused Stock Photos With These Planning Tips and Resources
Marketers use a lot of images.
In an average week, 42.8% of surveyed marketers publish at least five visuals, and 40.8% use two to five images, according to a Venngage study.
Sourcing and organizing all those images take up a lot of the content marketing’s team time. That’s why so many teams rely on image banks filled with inexpensive (but sometimes clichéd or less than ideal) options.
You can cut down that work and end up with better images with some planning. Try these tips to create your own “stock” photography library and update your list of other stock resources.
Plan to do more with the images you’re already capturing
Many companies create customer stories, profiles, case studies, and testimonials. If your company does, find out whether a professional photographer will be shooting images to support it. Then, plan to enlist the photographer to capture a few extras.
Consider this photograph in a Stearns Bank customer story about Danielle Bennett, who works for a property group that sought the bank’s help in financing a senior living community:
A cursory review indicates this seems to be the only image of Danielle or her office in their digital marketing materials. But imagine if Stearns had turned this need for a customer story image into a photo shoot to capture several “stock” images for other content, such as blogs and social media. For example, with the subject’s permission, the photographer could have created images, such as a woman working on a computer, an office with glass walls, or a close-up of a hand grasping a pen and writing in a notebook.
TBH Creative regularly does that kind of multi-task photo shoots for the firm and its clients, says Joy Olivia Miller, a content strategist at the agency. (Joy worked with Pulitzer Prize-winning photographer Don Dry early in her career.)
The photographer takes images for websites, social media, presentations, email campaigns, signature graphics, case studies, downloadable content offers, and so on. They also may shoot one-off assets for other marketing and advertising content, such as store window posters, in-store digital displays, events, banners, and booths.
“We are able to get so much out of these branded photo shoots … because we do a lot of planning up front,” Joy says.
Get more out of branded photo shoots by planning to capture #images for more than one #ContentMarketing asset or medium, says Joy Miller of @tbhcreative via @AnnGynn @CMIContent. Click To Tweet
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How to make the most of a photo shoot
Joy shared the planning tips she relies on for efficient photo shoots:
- Aim for timeless imagery. Make sure subjects don’t wear trendy clothes or patterns that indicate the images’ date. Simplify backgrounds and ask the subjects to wear clothes in brand colors.
- Do a lighting test before the shoot to make sure the space works for your photographer’s needs. Will a backdrop and lights fit? Are there sufficient outlets? If not, is natural light enough to create the feel you want even on a gray day?
- Prep the props. For example, if a person will be using a computer in the photo, is the screen ready? Does it show proprietary data you wouldn’t want viewers to see? Do you have another sweater or jacket ready to swap out to achieve a different look on the model?
To make the most of your photographer’s time and ensure you get sufficient images for your primary and secondary content uses, follow this advice from Joy:
- Shoot in more than one direction. Capture images in vertical and horizontal formats.
- Shoot close-ups and wide shots to have more flexibility with the images.
- Set up scenes to accommodate adding subjects or messages later. For example, if an executive isn’t available for a team shot, leave space for her in the picture. Or shoot a blank screen or whiteboard where you can add and change product photos and messages.
- Get routine shots of your company. For example, get a picture of your building to use on your website and Google My Business profile.
- Don’t rely solely on the photographer. Take your own photos to give viewers a behind-the-scenes view. You can share them to show your viewers a glimpse of the subjects in more relaxed settings.
When you receive the images from the photo shoot, you can use them for the primary purpose and categorize them so they’re accessible in a visual content library when content marketers and others need an image for another purpose.
TIP: Ensure all images taken at a photo shoot are owned and licensed by you for commercial use, says Kamyar Shah, business consultant.
Ensure all #images taken at a photo shoot are owned and licensed by you for commercial use, says @bsnscnslt via @AnnGynn @CMIContent. Click To Tweet
Skip the ‘stock’ stock sites
Of course, it takes time to build your in-house image library. Even if you have one, you may need to turn to commercially available stock photography occasionally. Almost 30% of marketers in the Venngage survey say they use stock photos, but only 8.9% of that group said those stock photos helped them reach their marketing goals.
Almost 30% of marketers say they use stock #photos, but less than 10% of those feel the stock photos helped them reach their goals, according to a @Venngage study via @AnnGynn @CMIContent. Click To Tweet
The problem? Stock photography can appear unoriginal. Marketers often rely on the same-old, same-old images from the most popular stock imagery sites. Your audience has probably seen that guy standing in front of the conference table on multiple websites. That happy family? Yes, they show up in various scenarios in a half-dozen content assets from six different companies.
Another problem? Your audience doesn’t see themselves or people who are different from them. Though progress is being made, white people dominate the options, as do stereotypical roles and families. And that’s a mistake.
Microsoft Advertising’s research, The Psychology of Inclusion and the Effects in Advertising, found over 60% of people are more trusting of brands and think those brands are more authentic when they reflect diversity in their ads. That same survey also found that the purchase intent for the “most inclusive” ad – featuring people across age, gender, and ethnicity who all had some form of a disability – was 13 points higher than for the “most appealing” ad and 23 points higher than all the ads shown.
“We need more inclusive photos and more photos with equal power,” says marketer Penny Gralewski.
We need more inclusive photos and more powerful photos in #ContentMarketing, says @virtualpenny via @AnnGynn @CMIContent. Click To Tweet
Try these diverse image collections
To help in that process, here are some go-to sites for inclusive and diverse stock imagery:
- CreateHER Stock features “melanated women,” says Penny, who learned about the site from Christine Michael Carter at Content Marketing World.
- She Bold Stock comes recommended by Anita Kirkbride of Twirp Communications, who says: “The photos are bright and well laid out. There is a great diversity of people in the images.”
- AllGo specializes in photography of plus-sized people, and Picnoi includes diverse collections of minority people from all walks of life (recommended by Zach Blenkinsopp of Digital Roofing Innovations).
- WOCinTech features women of color in tech; Mocha Stock includes multicultural photography and illustrations (recommended by business consultant Kamyar Shah).
- Nappy focuses on Black and Brown people (recommended by Herbert Lui of Wondershuttle).
- The Gender Spectrum Collection from Vice focuses on trans and nonbinary models; Representation Matters lists of diverse stock photo sites (recommended by Richard Lubicky of RealPeopleSearch).
- Unsplash offers a vast beautiful library that credits the photographers and is easily searchable; Pexels offers some unusual alternative images (recommended by Beth Kapes of Moving Words Into Action).
Ask for the images you need
If you see a photographer’s images that have some relevancy to what you need, reach out to the photographer to see if they have another version, says Joy Olivia Miller of TBH Creative.
For example, if you need a picture of a college student in a wheelchair and see an image of a young adult in a wheelchair behind a desk, reach out to that photographer and ask whether they have other versions. If you see a photo showing an older male doctor treating a young woman patient, ask the photographer if they have other pictures with different models. “Sometimes they mix up their shoots and have people swap in and out,” Joy says.
Doing more with planned photo shoots and expanding your stock photo options will improve your visual content development. You’ll appreciate having more relevant image choices for your content assets.
And more importantly, your audience will appreciate seeing original, diverse, and inclusive imagery that’s relevant to them.
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Cover image by Joseph Kalinowski/Content Marketing Institute
MARKETING
YouTube Ad Specs, Sizes, and Examples [2024 Update]
Introduction
With billions of users each month, YouTube is the world’s second largest search engine and top website for video content. This makes it a great place for advertising. To succeed, advertisers need to follow the correct YouTube ad specifications. These rules help your ad reach more viewers, increasing the chance of gaining new customers and boosting brand awareness.
Types of YouTube Ads
Video Ads
- Description: These play before, during, or after a YouTube video on computers or mobile devices.
- Types:
- In-stream ads: Can be skippable or non-skippable.
- Bumper ads: Non-skippable, short ads that play before, during, or after a video.
Display Ads
- Description: These appear in different spots on YouTube and usually use text or static images.
- Note: YouTube does not support display image ads directly on its app, but these can be targeted to YouTube.com through Google Display Network (GDN).
Companion Banners
- Description: Appears to the right of the YouTube player on desktop.
- Requirement: Must be purchased alongside In-stream ads, Bumper ads, or In-feed ads.
In-feed Ads
- Description: Resemble videos with images, headlines, and text. They link to a public or unlisted YouTube video.
Outstream Ads
- Description: Mobile-only video ads that play outside of YouTube, on websites and apps within the Google video partner network.
Masthead Ads
- Description: Premium, high-visibility banner ads displayed at the top of the YouTube homepage for both desktop and mobile users.
YouTube Ad Specs by Type
Skippable In-stream Video Ads
- Placement: Before, during, or after a YouTube video.
- Resolution:
- Horizontal: 1920 x 1080px
- Vertical: 1080 x 1920px
- Square: 1080 x 1080px
- Aspect Ratio:
- Horizontal: 16:9
- Vertical: 9:16
- Square: 1:1
- Length:
- Awareness: 15-20 seconds
- Consideration: 2-3 minutes
- Action: 15-20 seconds
Non-skippable In-stream Video Ads
- Description: Must be watched completely before the main video.
- Length: 15 seconds (or 20 seconds in certain markets).
- Resolution:
- Horizontal: 1920 x 1080px
- Vertical: 1080 x 1920px
- Square: 1080 x 1080px
- Aspect Ratio:
- Horizontal: 16:9
- Vertical: 9:16
- Square: 1:1
Bumper Ads
- Length: Maximum 6 seconds.
- File Format: MP4, Quicktime, AVI, ASF, Windows Media, or MPEG.
- Resolution:
- Horizontal: 640 x 360px
- Vertical: 480 x 360px
In-feed Ads
- Description: Show alongside YouTube content, like search results or the Home feed.
- Resolution:
- Horizontal: 1920 x 1080px
- Vertical: 1080 x 1920px
- Square: 1080 x 1080px
- Aspect Ratio:
- Horizontal: 16:9
- Square: 1:1
- Length:
- Awareness: 15-20 seconds
- Consideration: 2-3 minutes
- Headline/Description:
- Headline: Up to 2 lines, 40 characters per line
- Description: Up to 2 lines, 35 characters per line
Display Ads
- Description: Static images or animated media that appear on YouTube next to video suggestions, in search results, or on the homepage.
- Image Size: 300×60 pixels.
- File Type: GIF, JPG, PNG.
- File Size: Max 150KB.
- Max Animation Length: 30 seconds.
Outstream Ads
- Description: Mobile-only video ads that appear on websites and apps within the Google video partner network, not on YouTube itself.
- Logo Specs:
- Square: 1:1 (200 x 200px).
- File Type: JPG, GIF, PNG.
- Max Size: 200KB.
Masthead Ads
- Description: High-visibility ads at the top of the YouTube homepage.
- Resolution: 1920 x 1080 or higher.
- File Type: JPG or PNG (without transparency).
Conclusion
YouTube offers a variety of ad formats to reach audiences effectively in 2024. Whether you want to build brand awareness, drive conversions, or target specific demographics, YouTube provides a dynamic platform for your advertising needs. Always follow Google’s advertising policies and the technical ad specs to ensure your ads perform their best. Ready to start using YouTube ads? Contact us today to get started!
MARKETING
Why We Are Always ‘Clicking to Buy’, According to Psychologists
Amazon pillows.
MARKETING
A deeper dive into data, personalization and Copilots
Salesforce launched a collection of new, generative AI-related products at Connections in Chicago this week. They included new Einstein Copilots for marketers and merchants and Einstein Personalization.
To better understand, not only the potential impact of the new products, but the evolving Salesforce architecture, we sat down with Bobby Jania, CMO, Marketing Cloud.
Dig deeper: Salesforce piles on the Einstein Copilots
Salesforce’s evolving architecture
It’s hard to deny that Salesforce likes coming up with new names for platforms and products (what happened to Customer 360?) and this can sometimes make the observer wonder if something is brand new, or old but with a brand new name. In particular, what exactly is Einstein 1 and how is it related to Salesforce Data Cloud?
“Data Cloud is built on the Einstein 1 platform,” Jania explained. “The Einstein 1 platform is our entire Salesforce platform and that includes products like Sales Cloud, Service Cloud — that it includes the original idea of Salesforce not just being in the cloud, but being multi-tenancy.”
Data Cloud — not an acquisition, of course — was built natively on that platform. It was the first product built on Hyperforce, Salesforce’s new cloud infrastructure architecture. “Since Data Cloud was on what we now call the Einstein 1 platform from Day One, it has always natively connected to, and been able to read anything in Sales Cloud, Service Cloud [and so on]. On top of that, we can now bring in, not only structured but unstructured data.”
That’s a significant progression from the position, several years ago, when Salesforce had stitched together a platform around various acquisitions (ExactTarget, for example) that didn’t necessarily talk to each other.
“At times, what we would do is have a kind of behind-the-scenes flow where data from one product could be moved into another product,” said Jania, “but in many of those cases the data would then be in both, whereas now the data is in Data Cloud. Tableau will run natively off Data Cloud; Commerce Cloud, Service Cloud, Marketing Cloud — they’re all going to the same operational customer profile.” They’re not copying the data from Data Cloud, Jania confirmed.
Another thing to know is tit’s possible for Salesforce customers to import their own datasets into Data Cloud. “We wanted to create a federated data model,” said Jania. “If you’re using Snowflake, for example, we more or less virtually sit on your data lake. The value we add is that we will look at all your data and help you form these operational customer profiles.”
Let’s learn more about Einstein Copilot
“Copilot means that I have an assistant with me in the tool where I need to be working that contextually knows what I am trying to do and helps me at every step of the process,” Jania said.
For marketers, this might begin with a campaign brief developed with Copilot’s assistance, the identification of an audience based on the brief, and then the development of email or other content. “What’s really cool is the idea of Einstein Studio where our customers will create actions [for Copilot] that we hadn’t even thought about.”
Here’s a key insight (back to nomenclature). We reported on Copilot for markets, Copilot for merchants, Copilot for shoppers. It turns out, however, that there is just one Copilot, Einstein Copilot, and these are use cases. “There’s just one Copilot, we just add these for a little clarity; we’re going to talk about marketing use cases, about shoppers’ use cases. These are actions for the marketing use cases we built out of the box; you can build your own.”
It’s surely going to take a little time for marketers to learn to work easily with Copilot. “There’s always time for adoption,” Jania agreed. “What is directly connected with this is, this is my ninth Connections and this one has the most hands-on training that I’ve seen since 2014 — and a lot of that is getting people using Data Cloud, using these tools rather than just being given a demo.”
What’s new about Einstein Personalization
Salesforce Einstein has been around since 2016 and many of the use cases seem to have involved personalization in various forms. What’s new?
“Einstein Personalization is a real-time decision engine and it’s going to choose next-best-action, next-best-offer. What is new is that it’s a service now that runs natively on top of Data Cloud.” A lot of real-time decision engines need their own set of data that might actually be a subset of data. “Einstein Personalization is going to look holistically at a customer and recommend a next-best-action that could be natively surfaced in Service Cloud, Sales Cloud or Marketing Cloud.”
Finally, trust
One feature of the presentations at Connections was the reassurance that, although public LLMs like ChatGPT could be selected for application to customer data, none of that data would be retained by the LLMs. Is this just a matter of written agreements? No, not just that, said Jania.
“In the Einstein Trust Layer, all of the data, when it connects to an LLM, runs through our gateway. If there was a prompt that had personally identifiable information — a credit card number, an email address — at a mimum, all that is stripped out. The LLMs do not store the output; we store the output for auditing back in Salesforce. Any output that comes back through our gateway is logged in our system; it runs through a toxicity model; and only at the end do we put PII data back into the answer. There are real pieces beyond a handshake that this data is safe.”
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